Miles Davis - Bags Groove (Mono)
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Trumpet – Miles Davis [click here to see more vinyl featuring Miles Davis]
Bass – Percy Heath
Drums – Kenny Clarke [click here to see more vinyl featuring Kenny Clarke]
Piano – Horace Silver (B1 to B5) [click here to see more vinyl featuring Horace Silver]
Tenor Saxophone – Sonny Rollins (B1 to B5) [click here to see more vinyl featuring Sonny Rollins]
Vibraphone - Milt Jackson (A1-2) [click here to see more vinyl featuring Milt Jackson]
Piano - Thelonious Monk (A1-2) [click here to see more vinyl featuring Thelonious Monk]
1 LP, standard sleeve
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Mono
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions
Original Label : Prestige
Recorded on December 14, 1954 (A1 - A2) and June 29, 1954 (other tracks)
Remastered by Kevin Gray at Cohearent Audio
Originally released in 1957
Reissued in 2022
Tracks :
Side A :
1. Bags' Groove (take 1)
2. Bags' Groove (take 2)
2. Bags' Groove (take 2)
Side B :
1. Airegin
2. Oleo
3. But Not For Me (take 2)
4. Doxy
5. But Not For Me (take 1)
2. Oleo
3. But Not For Me (take 2)
4. Doxy
5. But Not For Me (take 1)
Reviews :
« There are a multitude of reasons why Bags' Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session -- featuring Thelonious Monk -- which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis' practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver's (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis' choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of "Airegin" flows into lines and minor-chord phrasings that would reappear several years later throughout Davis' Sketches of Spain epic. The fun and slightly maniacally toned "Oleo" features one of Heath's most impressive displays on Bags' Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags' Groove belongs as a cornerstone of all jazz collections. Likewise, the neophyte as well as the seasoned jazz enthusiast will find much to discover and rediscover throughout the disc. » AllMusic Review by Lindsay Planer
"Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz — such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes. ... The set crackles with energy and the sound is rather cool, yet it's very clean and — like looking through a mountain stream — transparent. I also have AP's 2002 45 RPM set, and this new release makes that one sound a bit thick and veiled by comparison." — Wayne Garcia, The Absolute Sound, December 2015
There are a multitude of reasons why Bags’ Groove remains a cornerstone of the post-bop genre. Of course, says All Music Guide, there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering.
Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of "Airegin" flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ Sketches of Spain epic. The fun and slightly maniacally toned "Oleo" features one of Heath’s most impressive displays on Bags’ Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags’ Groove belongs as a cornerstone of all jazz collections.
Ratings :
AllMusic : 5 / 5 , Discogs : 4.59 / 5