Simon & Garfunkel - Bookends (SuperVinyl)
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Vocals, guitar - Paul Simon [click here to see more products featuring Paul Simon]
Vocals, tapes, percussion - Art Garfunkel [click here to see more products featuring Art Garfunkel]
Drums, percussion - Hal Blaine
Bass, guitar - Joe Osborn
Piano, keyboards, bass guitar - Larry Knechtel
Synthesizer - John Simon
Arranged by Jimmie Haskell
Written by Paul Simon (A1-4, A6 to B5), Art Garfunkel (A5)
1 LP, Stoughton Jacket
Limited to 4,000 numbered copies
Original analog Master tape : YES
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : Fidelity Record Pressing
Label : MOFI
Original Label : Columbia
Recorded in September 1966, January, June and October 1967, February 1968 at Columbia Studio 52nd Street, New York City
Recorded and engineered by Roy Halee
Produced by Paul Simon, Art Garfunkel, Roy Halee
Cover Photography by Richard Avedon
Originally released in April 1968
Reissued in 2024
Tracks:
Side A:
1. Bookends Theme
2. Save the Life of My Child
3. America
4. Overs
5. Voices of Old People
6. Old Friends
7. Bookends Theme
Side B:
1. Fakin’ It
2. Punky’s Dilemma
3. Mrs. Robinson
4. A Hazy Shade of Winter
5. At the Zoo
Awards:
11th Annual Grammy Awards (1969):
- Record of the Year for "Mrs. Robinson"
- Best Contemporary Pop Performance by a Duo or Group
- Best Original Score Written for a Motion Picture or a Television Special for The Graduate soundtrack
Rolling Stone magazine's list of the 500 greatest albums of all time – Ranked 234
Rolling Stone magazine's Top 25 Rock & Roll Albums of the '60s – Ranked 21
Colin Larkin's All Time Top 1000 Albums – Ranked 338
Reviews:
“Simon & Garfunkel quietly slipped Bookends, their fourth album, into the bins with a whisper in March 1968. They are equal collaborators with producer/engineer Roy Halee in a multivalently layered song cycle observing the confusion of those seeking an elusive American Dream, wistfully reflecting on innocence lost forever to the cold winds of change. Bookends opens with an acoustic guitar stating a theme, slowly and plaintively. It erupts into the musical dissonance that introduces "Save the Life of My Child." Its uneasy rock & roll frames highly metaphorical and ironic lyrics and a nursery rhyme bridge. "America" is a folk song with a lilting soprano saxophone in its refrain as a small pipe organ paints acoustic guitars, framed by the ghostly traces of classic American Songbook pop structures. Two people travel the landscape by bus searching for the track's subject, eventually discovering that everyone else on the freeway is too. Its sophisticated harmonic invention is toppled by its message; "America" becomes an ellipsis, a cipher, an unanswerable question. "Overs," a study about the end of a relationship, contains Halee's ingenious use of sound: lighting a cigarette and inhaling and exhaling its smoke underscore the story told by the melody and lyrics. In a two-minute field recording of the voices of old people collected from nursing homes by Garfunkel, disembodied voices reveal entire lifetimes in a few seconds. "Old Friends" carries the message deeper. Simon's image of two old men sitting on a park bench sharing memories and their fears of the changes surrounding them is indelible. A horn section threatens to interrupt their reverie, reflecting the chaos they perceive, but is warded off as the gentle melody returns and fades into the album's opening theme. In "Fakin' It," Simon reveals the falsity inherent in modern life -- it's better to appear to have it together than reflect the struggle of not being able to: "This feeling of fakin' it/I still haven't shaken it/I know I'm fakin' it/I'm not really makin' it." The album's final three tracks, "Mrs. Robinson" (the iconic theme song from the film The Graduate), "A Hazy Shade of Winter," and the album's concluding track, "At the Zoo," offer a tremblingly bleak vision of the future rooted in the lives of everyday people who "fake it," living an illusory dream publicly while trembling with confusion and fear in private (no matter one's generation), subverting the Madison Avenue notion of the "generation gap" simply and honestly. Bookends' problematic, disillusioned themes, sometimes disguised in wry humor, striking arrangements, and augmented orchestral instrumentation, portray the sounds of people in an American life that they no longer understand, or understands them. Simon & Garfunkel never overstate; instead they observe, almost journalistically, enormous life and cultural questions in the process of them being asked. In just over 29 minutes, Bookends is stunning in its vision of a bewildered America in search of itself.” Allmusic Review by Thom Jurek
Mastered on MoFi’s renowned system at the label’s California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4,000 numbered copies, Mobile Fidelity’s 180g SuperVinyl 33RPM LP of Bookends presents the duo’s timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula — a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces — this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia’s iconic 52nd Street Studio.
Simon himself said that Bookends possesses “the most use of the studio” of any Simon & Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon’s lead vocals — these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced.
And that’s exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age’s zeitgeist, and inspired by the broad strokes of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band and Bob Dylan’s Blonde on Blonde, Bookends pairs its sonic flair — and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements — with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage.
The first half of Bookends traces the cycle of life from beginning to end, with the final words to “Bookends Theme” — a call to “preserve your memories/they’re all that’s left you” — echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon & Garfunkel use irony (“Save the Life of My Child”), metaphor (“America”), suggestion (“Overs”), field recordings (“Voices of Old People”), and descriptive imagery (“Old Friends”) to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness.
Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. Its central motifs — searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment — are universal concerns. And the “America” Simon & Garfunkel pursues remains more elusive than ever.
As does our collective want for a lasting hero (“Mrs. Robinson”), tendency toward affectation (“Fakin’ It”), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy (“Punky’s Dilemma”), particularly when we need an escape. Though the songs on the album’s second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale “A Hazy Shade of Winter.”
“Simply pretend,” Simon sings,” that you can build [hopes] again,” knowing full well he’s not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn’t what it often appears — or what we originally sought.
MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Ratings :
AllMusic : 5 / 5 , Discogs : 4.19 / 5