Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic
Grant Green - The Latin Bit - AudioSoundMusic

Grant Green - The Latin Bit

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Grant Green - guitar [click here to see more vinyl featuring Grant Green]

John Adriano Acea - piano

Wendell Marshall - bass

Willie Bobo - drums

Carlos "Patato" Valdes - conga

Garvin Masseaux - chekere

 

1LP, Deluxe Gatefold Packaging

Original analog Master tape : YES

Heavy Press : 180g

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : RTI

Label : Blue Note Tone Poet Series

Original Label : Blue Note

Recorded April 26 & September 7, 1962 at Studio Van Gelder Studio, Englewood Cliffs, New Jersey

Mastered By Kevin Gray At Cohearent Audio

Produced by Joe Harley

Originally released in 1963

Reissued in April 2022

 

Tracks:

Side A:

  1. Mambo Inn
  2. Besame Mucho
  3. Mama Inez

Side B:

  1. Brazil
  2. Tico Tico
  3. My Little Suede Shoes

 

Reviews:

“Grant Green, being known mainly as a soul jazz guitarist, eventually gravitated into the popular boogaloo sound. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico." Just a small step below is a classy take on Charlie Parker's "My Little Suede Shoes," a premier jazz bebop (emphasis) tune with a Latin undertow and Green's tiniest staccato phrases, slightly marred by the overbearing constant chekere, but still classic. "Mama Inez" ranks high for its calypso-infused happy feeling and wry stop-start lines. The straight-ahead hard bopper "Brazil" and lone soul-jazz tune, "Blues for Juanita," display the single-note acumen that made Green's style instantly recognizable. This date always yielded mixed results for staunch fans of Green, but it remains a credible effort, even if slightly flawed in part.” AllMusic Review by Scott Yanow

 

Ratings :

AllMusic : 3.5 / 5 ; Discogs : 4.28 / 5

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