Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing) - Audiophile Vinyl
Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing) - Audiophile Vinyl
Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing) - Audiophile Vinyl
Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing) - Audiophile Vinyl
Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing) - Audiophile Vinyl
Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing) - Audiophile Vinyl

Lalo Schifrin - There's a Whole Lalo Schifrin Goin On (Test Pressing)

€150,00
music-record
Unsealed vinyl
This vinyl is in mint condition but unsealed.
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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TEST PRESSING
Test pressings are the first copies (typically 5 to 10) of a record that are pressed from the metal stampers to assess the quality of the pressed records. They are usually sent to artists, producers, record labels, and other key stakeholders for approval. These test pressings are usually devoid of artwork, labels, or any other decorative elements, focusing solely on the audio quality. Made while the stampers are fresh, they would sound better and are often considered valuable by collectors.



Test pressing - Rarity - Unsealed

 


Lalo Schifrin – piano (B1), synthesizer (A1) [click to see more vinyl composed by or featuring Lalo Schifrin]

Tony Terran, John Audino - trumpet

Lloyd Ulyate, Barrett O'Hara - trombone

John Johnson - tuba

Vincent DeRosa - horn

Bud Shank - reeds [click here to see more vinyl featuring Bud Shank]

Ronnie Lang, Sam Most - reeds

Arnold Kobentz - oboe, English horn

Ralph Grierson, Artie Kane, Roger Kellaway, Mike Lang - keyboards

Paul Beaver - keyboards, synthesizer, stereo harp

Carl Fortina - accordion

Howard Roberts, Dennis Budimer, Bill Pitman, Louis Morell - guitar

James Bond, Ray Brown - bass

Carol Kaye, Max Bennett - electric bass

Shelly Manne - drums, percussion

Earl Palmer, Ken Watson, Joe Porcaro, Emil Richards - percussion

Milt Holland - tabla

Bonnie Douglas, Sam Freed, Anatol Kaminsky, Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld, Paul Shure - violin

Myra Kestenbaum, Allan Harshman, Robert Ostrowsky, Virginia Majewski - viola

Raphael Kramer, Edgar Lustgarten, Eleanor Slatkin - cello

Catherine Gotthoffer - harp

Robert Helfer - orchestra manager

Composed, arranged and conducted by Lalo Schifrin



 

1 LP, Test pressing sleeve 

Limited Edition (Test Pressing only 30 records pressed)

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label :  Dot

Recorded March 18, 19 & 20, 1968 in Los Angeles

Engineered by Hank Cicalo

Produced by Tom Mack

Originally released in 1968

Reissued in September 2007


 

 

Tracks :

Side A:

  1. Secret Code
  2. Dissolving
  3. Machinations
  4. Bride of the Wind
  5. Life Insurance
  6. How to Open at Will the Most Beautiful Window

Side B:

  1. Vaccinated Mushrooms
  2. Two Petals, A Flower and a Young Girl
  3. Wheat Germ Landscapes
  4. The Gentle Earthquake
  5. Hawks vs. Doves

 

 


Reviews
:

“Though it may seem unlikely that Frank Zappa had much of an influence on the work of Lalo Schifrin, one can detect some cultural crossover on There's a Whole Lalo Schifrin Goin' On. Schifrin was as much a jazz-pop genius as ever, but on this album rock rhythms, musical satire, sound effects, and exotica are all used as camp in a way that is eerily reminiscent of Zappa's more thoughtful efforts. Schifrin being Schifrin, every cut has a distinct and catchy melody, but there are whimsical and satirical themes embedded in the music. Nowhere is this more obvious than in "Hawks Vs. Doves," in which a cheery carnival-like theme is played in counterpoint to a martial air, each interfering with the other. Elsewhere, Schifrin uses unusual percussion, dissonance, and tense, sonically fragmented piano to create soundscapes that are unlike most of the rest of his work. "Secret Code" integrates tabla drums, not a common instrument in American jazz of the time, with a cold, flute-like synthesizer -- probably the first time those two instruments were used together. This album was ahead of its time in terms of instrumentation, but was a product of its time in that established ways of doing things were being challenged. Fans of Lalo Schifrin's work will find this to rank with his best, and those not familiar with anything but the Mission Impossible theme will be drawn in further by the eccentric genius displayed here. Note: Like many of Schifrin's albums of the period, there is no listing of musicians on the album cover, so it is difficult to know who is responsible for the marvelous performances here, except for Schifrin's own contributions.” AlllMusic Review by Richard Foss

 

 


Ratings
:

Allmusic : 4 / 5  ,  Discogs : 4,27 / 5 

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