Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra - AudioSoundMusic
Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra - AudioSoundMusic
Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra - AudioSoundMusic
Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra - AudioSoundMusic
Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra - AudioSoundMusic
Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra - AudioSoundMusic

Tchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra

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Pyotr Ilyich Tchaikovsky - Violin Concerto in D Major, Opus 35

Jascha Heifetz – violin

Chicago Symphony Orchestra

Fritz Reiner - conductor

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Quality Record Pressings

Label : Classic Records (now part of Analogue Productions)

Original Label : RCA

Recorded in Chicago in 1957

Originally released in 1957

Reissued in 1998

 

Tracks:

Side A: First Movement Allegro Moderato         

Side B:

  1. Second Movement Canzonetta: Andante             
  2. Third Movement Finale: Allegro Vivacissimo

     

    Reviews:

    "The Tchaikovsky offers some intensely vibrated tone, some Heifetz slides and some brilliant passagework. He too finds the “intimacy” that Joshua Bell sought in his latest recording of this work, unsuccessfully in my view, but of a wholly different kind. The drive here is dynamic, rhythms are sharply etched, and there is abundant sentiment and coruscating drama. A bit too much however toward the end of the first movement where Heifetz adds some of his own amendments to the solo part (I think it’s pure Heifetz, it could be Auer-Heifetz). The slow movement is effortlessly lyric and contoured and the finale is buoyant, brilliant and blistering but full too of the subtlest inflexions and accelerandi. My own preference however remains the 1935 Barbirolli for its greater degree of warmth.

    I’ve not mentioned Reiner. He responds to Heifetz with sang froid and elevated professionalism, drawing out the lines of the Tchaikovsky slow movement for instance with great feeling and accommodating the fast tempi in the Brahms with nerveless control, even if he would, with another soloist, doubtless have relaxed and modified many of the tempi.” Jonathan Woolf, Musicweb

     

    Ratings :

    Discogs : 4.42 / 5

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