Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic
Roberta Flack – First Take (Clear vinyl) - AudioSoundMusic

Roberta Flack – First Take (Clear vinyl)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Part of Atlantic Records' 75th Anniversary Vinyl Collection

Piano, Vocals – Roberta Flack

Bass – Ron Carter  [click here to see more vinyl featuring Ron Carter]

Drums – Ray Lucas

Guitar – John Pizzarelli

Tenor Saxophone – Frank Wess (A1, A4)

Trombone – Bennie Powell (A1, A4)

Trumpet – Jimmy Nottingham (A1, A4), Joe Newman (A1, A4)

Baritone Saxophone – Seldon Powell (A1, A4)

Cello – Charles McCracken (A2 to B2, B4), George Ricci (A2 to B2, B4)

Viola – Alfred Brown (A2 to B2, B4), Selwart Clarke (A2 to B2, B4), Theodore Israel (A2 to B2, B4)

Violin – Emanuel Green (A2 to B2, B4), Gene Orloff (A2 to B2, B4)

String section conducted by William Fischer (A2 to B2, B4)

Horn & String Arrangements by William Fischer

Written by Gene McDaniels (A1), Manuel Alvarez Maciste (A2), Donny Hathaway (A3, B3), Robert Ayers (A3), Leonard Cohen (B1), Ewan MacColl (B2), Leroy Hutson (B3), Frances Landesman (B4), Thomas J. Wolf, Jr. (B4)

A4 is a traditional song arranged by Roberta Flack

 

1 LP, standard sleeve

Limited edition one-time pressing

Original analog Master tape : YES

Heavy Press : 180g

Record color : crystal clear

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Optimal Media GmbH

Label : Atlantic

Original Label : Atlantic

Recorded February 24–26, 1969 at Atlantic Recording Studios, New York City

Recording by William Arlt

Re-mixed by Bob Liftin at Regent Sound Studios, New York

Produced by Joel Dorn

Lacquer cut by Ian Sefchick

Photography by Ken Heinen

Originally released in January 1968

Reissued in March 2023

 

Tracks :

Side A:

  1. Compared to What
  2. Angelitos Negros
  3. Our Ages or Our Hearts
  4. I Told Jesus

Side B:

  1. Hey, That's No Way to Say Goodbye
  2. The First Time Ever I Saw Your Face
  3. Tryin' Times
  4. Ballad of the Sad Young Men

 

Awards:

Rolling Stone 500 Greatest Albums of All Time - Ranked 451/500

 

Reviews :

“Roberta Flack's debut album, titled First Take in true underachiever fashion, introduced a singer who'd assimilated the powerful interpretive talents of Nina Simone and Sarah Vaughan, the earthy power of Aretha Franklin, and the crystal purity and emotional resonance of folksingers like Judy Collins. Indeed, the album often sounded more like vocal jazz or folk than soul, beginning with the credits: a core quartet of Flack on piano, John Pizzarelli on guitar, Ron Carter on bass, and Ray Lucas on drums, as fine a lineup as any pop singer could hope to recruit. With only one exception -- the bluesy, grooving opener "Compared to What," during which Flack proves her chops as a soul belter -- she concentrates on readings of soft, meditative material. A pair of folk covers, "The First Time Ever I Saw Your Face" and "Hey, That's No Way to Say Goodbye," are heart-wrenching standouts; the first even became a surprise hit two years later, when its appearance in the Clint Eastwood film Play Misty for Me pushed it to the top of the pop charts and earned Flack her first Grammy award for Record of the Year. Her arrangement of the traditional "I Told Jesus" has a simmering power, while "Ballad of the Sad Young Men" summons a stately sense of melancholy. Flack also included two songs from her college friend and future duet partner, Donny Hathaway, including a tender examination of the classic May-December romance titled "Our Ages or Our Hearts." The string arrangements of William Fischer wisely keep to the background, lending an added emotional weight to all of Flack's pronouncements. No soul artist had ever recorded an album like this, making First Take one of the most fascinating soul debuts of the era.” AllMusic Review by John Bush

 

Ratings

AllMusic : 5 / 5  , Discogs  4.36 / 5

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