The Sound Of Jazz - Count Basie, Ben Webster, Billie Holiday... (Hybrid SACD) - Audiophile

The Sound Of Jazz - Count Basie, Ben Webster, Billie Holiday... (Hybrid SACD)

€49,00
banner
WE CANNOT COMMIT ON A DELIVERY DATE FOR PRE-ORDER VINYL & CD/SACD
It may take a few months for Labels to issue pre-order vinyl & CD/SACD
worldwide-delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union


Bass – Milt Hinton   [Click here to see more vinyl featuring Milt Hinton]

Clarinet – Pee Wee Russell 

Drums – Jo Jones 

Piano – Nat Pierce 

Coleman Hawkins - Tenor Saxophone , Saxophone  [click here to see more vinyl featuring Coleman Hawkins]

Trombone – Vic Dickenson , Dickie Wells , Frank Rehak 

Trumpet – Henry "Red" Allen , Rex Stewart , Doc Cheatham , Emmett Berry, Joe Newman , Roy Eldridge 

Billie Holiday – Vocals  [click here to see more vinyl featuring Billie Holiday]

Bass – Jim Atlas , Eddie Jones 

Guitar – Danny Barker , Freddy Green 

Piano – Mal Waldron [click here to see more vinyl featuring Mal Waldron]

Tenor Saxophone – Ben Webster  [click here to see more vinyl featuring Ben Webster]

Jimmy Giuffre - Clarinet, Baritone Saxophone, Tenor Saxophone  [click here to see more vinyl featuring Jimmy Giuffre]

Piano – Count Basie  [click here to see more vinyl featuring Count Basie]

Saxophone – Earl Warren, Harry Carney, Lester Young 

Vocals – Jimmy Rushing 

Guitar – Jim Hall  [click here to see more vinyl featuring Jim Hall]

Written-By – F. J. Morton, L. Armstrong, E. Hines, W. H. Woode , B. Holiday , A. Gibson, Basie, Rushing , Jimmy Giuffre , Mal Waldron, L. Young 



 

1 Hybrid SACD

Original Analog Master tape : YES

Stereo

Studio

Label : Analogue Productions

Original Label : Columbia

Recorded at Columbia's 30th Street studios, December 5, 1957, as a rehearsal of the CBS Television show

Remastered by Ryan K. Smith at Sterling Sound

Produced by Irving Townsend

Presented by "The Seven Lively Arts" over CBS Television Sunday, December 4, 1957

LP originally released in 1958

Reissued in 2017





Tracks :

  1. Wild Man Blues - Henry "Red" Allen All-Stars
  2. Rosetta - Henry "Red" Allen All-Stars
  3. Fine and Mellow - Billie Holiday, Mal Waldron All-Stars
  4. Blues - Jimmy Giuffre, Pee Wee Russell, Jo Jones, Danny Barker
  5. I Left My Baby - Jimmy Rushing, Count Basie All-Stars
  6. The Train and The River - Jimmy Giuffre Trio
  7. Nervous - Mal Waldron
  8. Dickie's Dream - Count Basie All-Stars



Reviews
:

"The only reason Classic Records failed to reissue this one back in the 1990s and 2000s is because the reel containing one side had gone missing. For this reissue Sony/BMG located the original 3 track recording from which this stereo record was sourced so it's one generation ahead of the mixed two track master. This tape probably hadn't been played in almost sixty years and so sounds remarkably fresh. ... Analogue Productions reissued this in a tip-on gatefold sleeve with great black and white photos taken at the recording session of Count Basie, Billie Holiday and Ben Webster. A moment in musical time perfectly captured that's easy to recommend for the music, the sound and the packaging. The reissue sound is somewhat drier than the original, which makes it all the more intimate and less dated. A great lacquer cut by Ryan K. Smith." Michael Fremer, AnalogPlanet.com.

This 200-gram Analogue Productions LP reissue is a magnificent-sounding recording of a historic TV event. For a rare and glorious one-hour nationwide broadcast, CBS brought together 32 towering heavyweight jazz musicians of the swing era for the jam session to end all jam sessions.

"The Sound of Jazz" brought together 32 leading musicians — a Who's Who of the swing era — including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots (see the song list below), but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow".

Columbia Records released this LP in 1958 that is actually a rehearsal that preceded the telecast (recorded on December 4 at Columbia's 30th Street studios), and is not its soundtrack. The LP was released in 1958 as Columbia CL 1098, with liner notes by Eric Larrabee, and the cover photo is by Tom Yee. The recording doesn't include all of the performers on the TV show (Mulligan refused to participate because no additional payment was involved) and includes several who were not on the show. Bassist Walter Page rehearsed, and is featured on the LP, but collapsed on the way to the studio for the telecast.

For this Analogue Productions reissue we started with the original tape and the best mastering available — Ryan K. Smith at Sterling Sound did a steller job, and naturally, plating at Quality Record Pressings was handled by master plating technician Gary Salstrom. Our 200-gram QRP platters serve up an utterly noiseless background that lets the superior sonics shine through.

The show's performance of "Fine and Mellow" reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.

During the performance of "Fine and Mellow", Webster played the first solo. "Then", Hentoff remembered: "Lester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half-smiling. It was as if they were both remembering what had been — whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways."



Ratings

Discogs : 4.7 / 5 


Recently viewed