Bob Dylan - Good As I Been To You (SuperVinyl)
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Bob Dylan – guitar, harmonica, vocals [click here to see more vinyl featuring Bob Dylan]
Written by Walter Vinson and Lonnie Chatmon (A5), Stephen Foster (A7), Sam Coslow (B2), Will Grosz (B2)
A2-3, A6, B1, B4-6 are traditional songs arranged by Bob Dylan
A1 is a traditional song arranged by Mississippi John Hurt
A4 is a traditional song arranged by Nic Jones
B3 is a traditional song arranged by Paul Brady
1 LP, standard sleeve printed by Stoughton printing
Limited numbered edition
Original analog Master tape : YES
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : RTI
Label : MOFI
Original Label : Columbia
Recorded June-July 1992 at Bob Dylan's garage studio, Malibu
Engineered by Micajah Ryan
Produced by Debbie Gold
Mastered by Stephen Marcussen at Precision Mastering
Front cover photography by Jimmy Wachtel
Originally released in 1974
Reissued in 2015
Tracks:
Side A :
- Frankie & Albert
- Jim Jones
- Blackjack Davey
- Canadee-I-O
- Sittin' on Top of the World
- Little Maggie
- Hard Times
Side B:
- Step It Up and Go
- Tomorrow Night
- Arthur McBride
- You're Gonna Quit Me
- Diamond Joe
- Froggie Went a Courtin'
Reviews :
“Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- "Frankie and Albert," "Blackjack Davey," "Sitting on Top of the World," "Froggie Went A-Courtin'" -- to provide an entryway to the less familiar numbers, which are delivered equally well. Yes, this could be seen as a rather unassuming record, but that's what's special about it. In 1992, not even folksingers were working with this material, but Dylan did, reviving folk's (and rock's) ties to the past at an unexpected time and with unexpectedly strong results. A minor high point in his catalog.” AllMusic Review by Stephen Thomas Erlewine
Ratings :
AllMusic : 3 / 5 , Discogs : 3,94 / 5