Joni Mitchell - Court and Spark (1LP, 33 RPM, NAUTILUS RECORDINGS, Unsealed) - Audiophile
Joni Mitchell - Court and Spark (1LP, 33 RPM, NAUTILUS RECORDINGS, Unsealed) - Audiophile
Joni Mitchell - Court and Spark (1LP, 33 RPM, NAUTILUS RECORDINGS, Unsealed) - Audiophile
Joni Mitchell - Court and Spark (1LP, 33 RPM, NAUTILUS RECORDINGS, Unsealed) - Audiophile

Joni Mitchell - Court and Spark (Half-speed Mastering, Unsealed)

€129,00
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Unsealed vinyl
This vinyl is in mint condition but unsealed.
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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Rarity, Unsealed (Good conditions : good conditions for the vinyl, little damages on sleeve

Joni Mitchell – Vocals, Piano, Clavinet  [click here to see more vinyl featuring Joni Mitchell]

Backing Vocals – David Crosby [click here to see more vinyl featuring David Crosby]

Backing Vocals – Graham Nash [click here to see more vinyl featuring Graham Nash]

Backing Vocals –  Susan Webb, Cheech & Chong

Electric Piano – Joe Sample

Drums, Percussion – John Guerin

Woodwind, Reeds – Tom Scott

Bells – Milt Holland 

Bass – Max Bennett 

Electric Guitar – Larry Carlton

Bass – Wilton Felder, Jim Hughart

Electric Guitar – Jose Feliciano, Wayne Perkins, Dennis Budimir 

Electric Guitar - Robbie Robertson [click here to see more vinyl featuring Robbie Robertson]

Trumpet – Chuck Findley

Arranged by Joni Mitchell, Tom Scott

Written by Joni Mitchell, Annie Ross, Wardell Gray

 

 

1LP, Gatefold

Original analog Master tape : YES

Half-Speed Mastering

Heavy Press : 180g 

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Record Technology Incorporated

Label : Nautilus Recordings

Original Label : Asylum Records

Recorded in 1973 at A&M Studios, Hollywood

Engineered by Henry Lewy

Mastered by Bernie Grundman

Remastered [Half Speed Master] by Jack E. Hunt

Originally released in January 1974

Reissued in 1980

 

Tracks:

Side A:

  1. Court And Spark
  2. Help Me
  3. Free Man In Paris
  4. People's Parties
  5. Same Situation

Side B:

  1. Car On A Hill
  2. Down To You
  3. Just Like This Train
  4. Raised On Robbery
  5. Trouble Child
  6. Twisted


Awards:

Rolling Stone's 500 Greatest Albums of All Time – Ranked 110

Colin Larkin's All Time Top 1000 Albums – Ranked 116

Included in the 1001 Albums You Must Hear Before You Die

 

Reviews:

“Joni Mitchell reached her commercial high point with Court and Spark, a remarkably deft fusion of folk, pop, and jazz which stands as her best-selling work to date. While as unified and insightful as Blue, the album -- a concept record exploring the roles of honesty and trust in relationships, romantic and otherwise -- moves away from confessional songwriting into evocative character studies: the hit "Free Man in Paris," written about David Geffen, is a not-so-subtle dig at the machinations of the music industry, while "Raised on Robbery" offers an acutely funny look at the predatory environment of the singles bar scene. Much of Court and Spark is devoted to wary love songs: both the title cut and "Help Me," the record's most successful single, carefully measure the risks of romance, while "People's Parties" and "The Same Situation" are fraught with worry and self-doubt (standing in direct opposition to the music, which is smart, smooth, and assured from the first note to the last).” AllMusic Review by Jason Ankeny

"Working with saxophonist Tom Scott's fusion group L.A. Express, Mitchell settles into a folk-pop-jazz groove that remains a landmark of breezy sophistication, particularly on the Top Ten single 'Help Me.' Strange but true: A cover of 'Twisted' by the scat-jazz vocal group Lambert, Hendricks and Ross closes the album - with stoner comics Cheech and Chong singing backup." Rolling Stone Magazine

 

Half-speed mastering

In half-speed mastering, the whole mastering process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

 

Ratings :

AllMusic : 5 / 5 ; Discogs : 4.29 / 5

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