Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Out of stock
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering) - AudioSoundMusic

Aretha Franklin – Aretha's Gold (2LP, 45RPM, Ultra Analog, Half-speed Mastering)

€179,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

COMPILATION

Aretha Franklin – piano, vocals [click here to see more vinyl featuring Aretha Franklin]

Written by Ronnie Shannon (A1), Chips Moman (A2), Dan Penn (A2), Otis Redding (A3), Aretha Franklin (A4, C1, C3), Ted White (A4, C1, C3), Ronnie Shannon (B1), Gerry Goffin (B2), Carole King (B2), Jerry Wexle (B2), Don Covay (B3), Carolyn Franklin (C2), Sam Cooke (C4), Bobby Lance (D1), Fran Robbins (D1), Burt Bacharach (D2), Hal David (D2), Don Covay (D3), Steve Cropper (D3)

 

 

2 LP, gatefold jacket

Limited to 4,000 numbered pressings

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : Record Technology Incorporated

Label : MOFI

Original Label : Atlantic

Recorded 1966–1968

Engineered by Rick Hall (A1-2), Tom Dowd (A3 to B7)

Produced by Jerry Wexler

Mastered by Krieg Wunderlich at Mobile Fidelity Sound Lab

Lacquer cut by Krieg Wunderlich at Mobile Fidelity Sound Lab

Originally released in 1969

Reissued in September 2017

 

Tracks:

Side A:

  1. I Never Loved a Man (The Way I Love You)
  2. Do Right Woman, Do Right Man
  3. Respect
  4. Dr. Feelgood (Love Is Serious Business)

Side B:

  1. Baby, I Love You
  2. (You Make Me Feel Like) A Natural Woman
  3. Chain of Fools

Side C:

  1. Since You've Been Gone (Sweet Sweet Baby)
  2. Ain't No Way
  3. Think
  4. You Send Me

Side D:

  1. The House That Jack Built
  2. I Say a Little Prayer
  3. See Saw

               

              Reviews :

              “The first compilation based on Franklin's successes of 1967-1968 on Atlantic. Included among the 14 selections here are all of the big bits (nine of which went Top 10) that established Franklin's enduring reputation, from "I Never Loved A Man (The Way I Love You)" to "I Say A Little Prayer." It sometimes got as good as this afterwards, but it never got better.” AllMusic Review by William Ruhlmann

               

              Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.

               

              Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

               

              Ratings :

              AllMusic : 4.5 / 5 , Discogs : 4.86 / 5

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