The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE
The Beatles – The Beatles 1962 – 1966  AUDIOPHILE

The Beatles – The Beatles 1962 – 1966 (3LP, Half-speed Mastering, Red Vinyl)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

COMPILATION

The Beatles [click here to see more vinyl featuring The Beatles]:

Written by John Lennon (A1-7, B1-6, C1-6, D1-7, E1, E3, E6, F2-3, F5-6), Paul McCartney (A1-7, B1-6, C1-6, D1-7, E1, E3, E6, F2-3, F5-6), Bert Russel (E2), Phil Medley (E2), Berry (E4), Smokey Robinson (E5), George Harrison (F1, F4)

 

 

3 LP, gatefold jacket

Limited edition

Original analog Master tape : YES

Half-speed Mastering

Heavy Press : 180g

Record color : red

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Optimal Media in Germany

Label : Capitol

Original Label : EMI

Recorded 11 September 1962 – 21 June 1966 at EMI Studio, London & Pathé Marconi Studio, Paris

Engineered by Geoff Emerick, Norman Smith

Original sessions produced by George Martin

Reissued produced by Allan Rouse

Remastered by Guy Massey, Paul Hicks, Sam Okell, Sean Magee, Steve Rooke

Lacquer cut by Miles Showell at Abbey Road Studios

Design by Darren Evans, Drew Lorimer

Photography by Aaron Bremner, Dorcas Lynn, Gavin O'Neill

Originally released in April 1973

Reissued in November 2023

 

Tracks:

Side A:

  1. Love Me Do
  2. Please Please Me
  3. From Me To You
  4. She Loves You
  5. I Want To Hold Your Hand
  6. All Loving
  7. Can't Buy Me Love

Side B

  1. A Hard Day's Night
  2. And I Love Her
  3. Eight Days A Week
  4. I Feel Fine
  5. Ticket To Ride
  6. Yesterday

Side C:

  1. Help!
  2. You've Got To Hide Your Love Away
  3. We Can Work It Out
  4. D Tripper
  5. Drive My Car
  6. Norwegian Wood (This Bird Has Flown)

Side D:

  1. Nowhere Man
  2. Michelle
  3. In My Life
  4. Girl
  5. Paperback Writer
  6. Eleanor Rigby
  7. Yellow Submarine

Side E:

  1. I Saw Her Standing There
  2. Twist And Shout
  3. This Boy
  4. Roll Over Beethoven
  5. You Really Got A Hold On Me
  6. You Can't Do That

Side F:

  1. If I Needed Someone
  2. Got To Get You Into My Life
  3. I'm Only Sleeping
  4. Taxman
  5. Here, There And Everywhere
  6. Tomorrow Never Knows

                     

                     

                    Reviews :

                    "Assembling a compilation of the Beatles is a difficult task, not only because they had an enormous number of hits, but also because singles didn't tell the full story; many of their album tracks were as important as the singles, if not more so. The double-album 1962-1966, commonly called The Red Album, does the job surprisingly well, hitting most of the group's major early hits and adding important album tracks like "You've Got to Hide Your Love Away," "Drive My Car," "Norwegian Wood," and "In My Life." Naturally, there are many great songs missing from the 26-track 1962-1966, and perhaps it would have made more sense to include the Revolver cuts on its companion volume, 1967-1970, yet The Red Album captures the essence of the Beatles' pre-Sgt. Pepper records." AllMusic Review by Stephen Thomas Erlewine.

                     

                     

                    Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

                     

                    Ratings :

                    Discogs : 4.79 / 5 ; AllMusic : 4.5 / 5 ; Blender : 5 / 5 ; The Encyclopedia of Popular Music : 5 / 5 ; The Rolling Stone Album Guide : 5 / 5

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