Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Out of stock
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic

Run DMC - Raising Hell (Hybrid SACD, Ultradisc UHR)

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Run-DMC [click here to see more vinyl featuring Run DMC]:

Daryl McDaniels, Jason Mizell, Joseph Simmons

All instruments except Keyboards And Percussion – Run-DMC

Keyboards, Percussion – Jason Mizell

 

 

1 SACD, gatefold jacket

Limited to 2,000 numbered copies

Original analog Master tape : YES

Stereo

Studio

Label : MOFI

Original Label : Profile Records

Disc made in Germany

Recorded 1985-1986 at Chung King House Of Metal, Shakedown Sound, Sound Track Recording & Magic Ventures

Engineered & mixed by Andy Wallace, Jay Burnett, Peter Millius, Steve Ett

Produced by Rick Rubin, Russell Simmons

Mastered by Rob LoVerde

Originally released in 1986

Reissued in September 2020

 

Tracks:

  1. Peter Piper
  2. It's Tricky
  3. My Adidas
  4. Walk This Way
  5. Is It Live
  6. Perfection
  7. Hit It Run
  8. Raising Hell
  9. You Be Illin'
  10. Dumb Girl
  11. Son Of Byford
  12. Proud To Be Black

 

Awards :

Rolling Stone 500 Greatest Albums of All Time - Ranked 209

Best Rap Album at the 1987 Soul Train Music Awards

In 2018, it was inducted into the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant"

1000 Recordings You Must Hear Before You Die - Ranked 579

 

Reviews :

“By their third album, Run-D.M.C. were primed for a breakthrough into the mainstream, but nobody was prepared for a blockbuster on the level of Raising Hell. Run-D.M.C. and King of Rock had established the crew's fusion of hip-hop and hard rock, but that sound didn't blossom until Raising Hell, partially due to the presence of Rick Rubin as producer. Rubin loved metal and rap in equal measures and he knew how to play to the strengths of both, while slipping in commercial concessions that seemed sly even when they borrowed from songs as familiar as "My Sharona" (heard on "It's Tricky"). Along with longtime Run-D.M.C. producer Russell Simmons, Rubin blew down the doors of what hip-hop could do with Raising Hell because it reached beyond rap-rock and found all sorts of sounds outside of it. Sonically, there is simply more going on in this album than any previous rap record -- more hooks, more drum loops (courtesy of ace drum programmer Sam Sever), more scratching, more riffs, more of everything. Where other rap records, including Run-D.M.C.'s, were all about the rhythm, this is layered with sounds and ideas, giving the music a tangible flow. But the brilliance of this record is that even with this increased musical depth, it still rocks as hard as hell, and in a manner that brought in a new audience. Of course, the cover of Aerosmith's "Walk This Way," complete with that band's Steven Tyler and Joe Perry, helped matters considerably, since it gave an audience unfamiliar with rap an entry point, but if it were just a novelty record, a one-shot fusion of rap and rock, Raising Hell would never have sold three million copies. No, the music was fully realized and thoroughly invigorating, rocking harder and better than any of its rock or rap peers in 1986, and years later, that sense of excitement is still palpable on this towering success story for rap in general and Run-D.M.C. in specific.” AllMusic Review by Stephen Thomas Erlewine

 

Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4,39 / 5  

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