Bob Dylan - Good As I Been To You (Hybrid SACD, Ultradisc UHR)
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ORDER LIMITED TO ONE ITEM PER CUSTOMER
1 Hybrid SACD, Ultradisc UHR
Limited numbered edition (2500 copies)
Original analog Master tape : YES
Stereo
Studio
Label : MOFI
Original Label : Columbia
Recorded June-July 1992 at Bob Dylan's garage studio, Malibu
Engineered by Micajah Ryan
Produced by Debbie Gold
Mastered by Neal Harris
Front cover photography by Jimmy Wachtel
Originally released in 1974
Reissued in 2024
Tracks:
- Frankie & Albert
- Jim Jones
- Blackjack Davey
- Canadee-I-O
- Sittin' on Top of the World
- Little Maggie
- Hard Times
- Step It Up and Go
- Tomorrow Night
- Arthur McBride
- You're Gonna Quit Me
- Diamond Joe
- Froggie Went a Courtin'
Reviews :
“Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- "Frankie and Albert," "Blackjack Davey," "Sitting on Top of the World," "Froggie Went A-Courtin'" -- to provide an entryway to the less familiar numbers, which are delivered equally well. Yes, this could be seen as a rather unassuming record, but that's what's special about it. In 1992, not even folksingers were working with this material, but Dylan did, reviving folk's (and rock's) ties to the past at an unexpected time and with unexpectedly strong results. A minor high point in his catalog.” AllMusic Review by Stephen Thomas Erlewine
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
Discogs : 3,94 / 5