Miles Davis - Seven Steps to Heaven (Hybrid SACD, Ultradisc UHR) - Audiophile
Miles Davis - Seven Steps to Heaven (Hybrid SACD, Ultradisc UHR) - Audiophile
Miles Davis - Seven Steps to Heaven (Hybrid SACD, Ultradisc UHR) - Audiophile
Miles Davis - Seven Steps to Heaven (Hybrid SACD, Ultradisc UHR) - Audiophile

Miles Davis - Seven Steps to Heaven (Hybrid SACD, Ultradisc UHR)

€45,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Trumpet – Miles Davis [click here to see more Vinyl/SACD featuring Miles Davis]

Piano – Herbie Hancock  [click here to see more Vinyl/SACD featuring Herbie Hancock]

Piano - Victor Feldman

Drums – Anthony Williams, Frank Butler 

Bass – Ron Carter [click here to see more Vinyl/SACD featuring Ron Carter]

Tenor Saxophone – George Coleman  [click here to see more Vinyl/SACD featuring George Coleman]

 

1 Hybrid SACD, Ultradisc UHR

Limited numbered edition

Original analog Master tape : YES

Stereo

Studio 

Label :  MOFI

Original Label :  Columbia

Recorded at Columbia 30th Street Studio and Columbia Studios, Hollywood

Engineered by Fred Plaut

Produced by Teo Macero

Mastered by Krieg Wunderlich, assisted by Shawn R. Britton at Mobile Fidelity Sound Lab

Originally released in 1963

Reissued in December 2023

 

Tracks :

  1. Basin Street Blues
  2. Seven Steps To Heaven
  3. I Fall In Love Too Easily
  4. So Near, So Far
  5. Baby Won't You Please Come Home
  6. Joshua

 

Reviews :

"Seven Steps to Heaven finds Miles Davis standing yet again on the fault line between stylistic epochs. In early 1963, pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb left to form their own trio, and Davis was forced to form a new band, which included Memphis tenor player George Coleman and bassist Ron Carter. When Davis next entered the studio in Hollywood, he added local drummer Frank Butler and British studio ace Victor Feldman, who ultimately decided not to go on the road with Davis. It's easy to see why Davis liked Feldman, who contributed the dancing title tune and "Joshua" to the session. On three mellifluous standards -- particularly a cerebral "Basin Street Blues" and a broken-hearted "I Fall in Love Too Easily" -- the pianist plays with an elegant, refined touch, and the kind of rarefied voicings that suggest Ahmad Jamal. Davis responds with some of his most introspective, romantic ballad playing. When Davis returned to New York he finally succeeded in spiriting away a brilliantly gifted 17-year-old drummer from Jackie McLean: Tony Williams. On the title tune you can already hear the difference, as his crisp, driving cymbal beat and jittery, aggressive syncopations propel Davis into the upper reaches of his horn. On "So Near, So Far" the drummer combines with Carter and new pianist Herbie Hancock to expand on a light Afro-Cuban beat with a series of telepathic changes in tempo, texture, and dynamics. Meanwhile, Feldman's "Joshua" (with its overtones of "So What" and "All Blues") portends the kind of expressive variations on the basic 4/4 pulse that would become the band's trademark, as Davis and Coleman ascend into bebop heaven." AllMusic Review by Rovi Staff

Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

 

Ratings :

AllMusic 4.5 / 5  ,   Discogs 4.83 / 5

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