Norah Jones - Feels Like Home (Hybrid SACD)
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Vocals – Norah Jones [click here to see more vinyl featuring Norah Jones]
Acoustic Guitar, Banjo [Banjolin] – Kevin Breit (1, 3, 4,7,11,12) – Jesse Harris (3)
Backing Vocals : Adam Levy (1,6, 7) - Daru Oda (1, 2, 5,6,7, 10, 11, 12) - Kevin Breit (6)
Bass : Lee Alexander (1, 2, 3, 5,6, 7, 8, 9,10,11)
Drums : Andrew Borger (1,5,6, 8, 10) - Levon Helm (3) – Brian Blade (12)
Electric Guitar – Tony Scherr (2) - Adam Levy (6,10,11)
Lap Steel Guitar : LeeAlexander (12)
Resonator or Acoustic Guitar – Kevin Breit (5,8, 9, 10)
Organ [Hammond] – Garth Hudson (3) - [Pump] – Rob Burger (7) & Norah Jones (9)
Cello : Jane Scarpantoni (4)
Viola : David Gold (4)
Flute : Daru Oda (11)
Snare : Andrew Borger (7)
Groovebox : Andrew Borger (11)
Vocals : Dolly Parton (7)
Vocals, Piano or Electric Piano : Norah Jones (1 to 13)
Written by Lee Alexander (1, 3, 5,7,8,12), Norah Jones (1, 2, 4,8,12,13), Richard Julian (3, 12), Adam Levy (5), Townes van Zandt (6), Kathleen Brennan (11), Tom Waits (11), Andrew Borger (10), Daru Oda (10), Kevin Brei (9)
Original analog Master tape : YES
Stereo
Studio
Label : Analogue Productions
Original Label : Blue Note
Recorded at Allaire Studios, Shokan, NY and Avatar Studios, Sear Sound, and Sorcerer Sound, NYC
Engineered by Aya Takemura, Dick Kondas, Matthew Cullen, Steve Mazur
Mixed by Jay Newland at Sear Sound, NYC
Produced by Arif Mardin, Norah Jones
Remastered by Kevin Gray at Cohearent Audio
Originally released in 2004
Reissued in 2012
Tracks :
1. Sunrise
2. What Am I To You?
3. Those Sweet Words
4. Carnival Town
5. In The Morning
6. Be Here To Love Me
2. What Am I To You?
3. Those Sweet Words
4. Carnival Town
5. In The Morning
6. Be Here To Love Me
7. Creepin' In
8. Toes
9. Humble Me
10. Above Ground
11. The Long Way Home
12. The Prettiest Thing
13. Don't Miss You At All
9. Humble Me
10. Above Ground
11. The Long Way Home
12. The Prettiest Thing
13. Don't Miss You At All
Awards :
2005 Grammy Awards: Best Female Pop Vocal Performance
Reviews :
"2004's 'Feels Like Home' is an album filled with melancholic songs about self-doubt and a break-up. It includes a duet with Dolly Parton. Garth Hudson adds an accordion on one track. The final song "Don't Miss You At All" brought the inner turmoil to a fine finale. The album is like peeking into a diary or in some ways hiding under Norah's bed and sharing her intimate heartache. ... The records coming out of QRP are definitely living up to the pressing plant's early promise. This kind of drop dead black quiet is precisely what's required for Jones' music and QRP delivers it. Kevin Gray's mastering is equally superb." — Michael Fremer, AnalogPlanet.com, January 24, 2013
« It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away with Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed to be so hugely popular in the first place. Come Away with Me was a little album by an unknown pianist/vocalist who attempted to mix jazz, country, and folk in an acoustic setting -- who knew? Feels Like Home could be seen as "Come Away with Me Again" if not for that fact that it's actually better. Smartly following the template forged by Jones and producer Arif Mardin, there is the intimate single "Sunrise," some reworked cover tunes, some interesting originals, and one ostensible jazz standard. These are all good things, for also like its predecessor, Feels Like Home is a soft and amiable album that frames Jones' soft-focus Aretha Franklin voice with a group of songs that are as classy as they are quiet. Granted, not unlike the dippy albeit catchy hit "Don't Know Why," they often portend deep thoughts but come off in the end more like heartfelt daydreams. Of course, Jones could sing the phone book and make it sound deep, and that's what's going to keep listeners coming back. » AllMusic Review by Matt Collar
Ratings :
AllMusic : 4 / 5 , Discogs : 4.47 / 5