Charles Mingus - Mingus At Antibes (vinyl)
Charles Mingus - Mingus At Antibes (vinyl audiophile)
Charles Mingus - Mingus At Antibes (2LP, Test Pressing)-Audiophile
Charles Mingus - Mingus At Antibes (vinyl)
Charles Mingus - Mingus At Antibes (vinyl audiophile)
Charles Mingus - Mingus At Antibes (2LP, Test Pressing)-Audiophile

Charles Mingus - Mingus At Antibes (2LP, Test Pressing)

€135,00
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Unsealed vinyl
This vinyl is in mint condition but unsealed.
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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TEST PRESSING
Test pressings are the first copies (typically 5 to 10) of a record that are pressed from the metal stampers to assess the quality of the pressed records. They are usually sent to artists, producers, record labels, and other key stakeholders for approval. These test pressings are usually devoid of artwork, labels, or any other decorative elements, focusing solely on the audio quality. Made while the stampers are fresh, they would sound better and are often considered valuable by collectors.


Test pressing - Rarity - Unsealed

 


Charles Mingus (b,p) [click here to see more vinyl featuring Charles Mingus]

Eric Dolphy (as, cl) [click here to see more vinyl featuring Eric Dolphy]

Booker Ervin (tenor saxophone) [click here to see more vinyl featuring Booker Ervin]

Ted Curson (tp); Bud Powell (p); Dannie Richmond (dr)

Written by Charles Mingus, except C1 written by Gene DePaul, Patricia Johnston, Don Raye

 

 

2 LPs, Test pressing sleeve

Limited Edition (Test Pressing only 30 records pressed)

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Live

Record Press : Pallas

Label : Speakers Corner

Original Label :  Atlantic

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond

Production: Neshui Ertegun

Originally released in 1976

Reissued in 2019

 

 

 

Tracks : 

Side A:

                1 Wednesday Night Prayer Meeting

                2. Prayer For Passive Resistance

Side B:

                1. What Love?

Side C:

                1. I'll Remember April

Side D:

                1. Folk Forms I

                1. Better Git Hit In Your Soul

 

 

 

Reviews :

« During 1960, bassist Charles Mingus led one of his finest bands, a pianoless quartet with Eric Dolphy (on alto, flute, and bass clarinet), trumpeter Ted Curson, and drummer Dannie Richmond. For this live concert, the band is augmented by the great tenor Booker Ervin for some stirring music. All of the music is memorable: "Wednesday Night Prayer Meeting," "Prayer for Passive Resistance," "What Love," "Folk Forms No. 1," and "Better Get Hit in Yo' Soul." The immortal pianist Bud Powell sits in on a fine version of "I'll Remember April" and Dolphy and Ervin in particular generate a great deal of heat during some of their solos. » AllMusic Review by Scott Yanow

You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.

The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.

Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

 

Ratings :

AllMusic : 5 / 5, Discogs  4,35 / 5, Rate Your Music  4,13 / 5

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