Kurt Rosenwinkel - Intuit (2LP)
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€49,00
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Kurt Rosenwinkel - guitar
Michael Kanan - piano
Joe Martin - bass
Tim Pleasant – drums
Written by I. Berlin (A1), G. Shearing (A2, D2), J. Van Heusen (A3), Ch. Parker (B1, B3, C2), Jack Segal (B2), Marvin Fisher (B2), Michael Kanan (C1), George Gershwin (D1)
2LP, Gatefold Jacket
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : Black
Speed : 33RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified
Label : Elemental Music
Original Label : Criss Cross Jazz
Recorded at Acoustic Recording Studio, Brooklyn, NY, August 14 & 15, 1998
Engineered by Michael Brorby
Mixed by Max Bolleman
Produced by Gerry Teekens
Liner Notes by Michael Kanan
Photography by Gildas Boclé
Originally released in 1998 (as a CD)
Reissued in March 2023 (first time on vinyl)
Tracks :
Side A:
- How Deep Is the Ocean?
- Conception
- Darn That Dream
Side B:
- Dewey Square
- When Sunny Gets Blue
- Sippin' at Bells
Side C:
- Epiphany
- Segment
Side D:
- Summertime
- Conception II
Reviews :
“Intuit, a quartet session devoted entirely to standards, is not entirely representative of Kurt Rosenwinkel's art. However, it does reveal the depth of the guitarist's expertise in the bop idiom, and is therefore worth the attention of devoted fans. Rosenwinkel's sound throughout this straight-ahead excursion is fairly dry -- a touch of reverb, no shimmering delay, no ethereal vocalizing, a bit less distinctive than usual. His highly modern approach to harmony often comes through, however, even on vehicles as traditional as "Darn That Dream." And, as always, he uses the physical properties of the guitar to alter the sonic dimensions of his lines, as when he plays a long string of 16th notes near the bridge during his solo on "When Sunny Gets Blue." Other highlights include two fast takes of George Shearing's "Conception" and two less-than-commonplace Charlie Parker heads, "Dewey Square" and "Segment." (Miles Davis's "Sippin' at Bells" is wrongly credited to Parker as well.) Rosenwinkel's partners are pianist Michael Kanan (author of "Epiphany," the date's only original), bassist Joe Martin, and drummer Tim Pleasant. The way he interacts with these straight-ahead players says a great deal about his breadth as a jazz musician. It also foreshadows his later attempts to blur the boundary between standard and original repertoire.” AllMusic Review by David R. Adler
Rating:
AllMusic: 3 / 5 ; Discogs : 4.67 / 5