John Patton - Along Came John (2LP, 180g, 45RPM, Limited & Numbered Edition) - AudioSoundMusic
John Patton - Along Came John (2LP, 180g, 45RPM, Limited & Numbered Edition) - AudioSoundMusic
John Patton - Along Came John (2LP, 180g, 45RPM, Limited & Numbered Edition) - AudioSoundMusic
John Patton - Along Came John (2LP, 180g, 45RPM, Limited & Numbered Edition) - AudioSoundMusic

John Patton - Along Came John (2LP, 180g, 45RPM, Limited & Numbered Edition)

€105,00
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
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Rarity - Sealed



Big John Patton, organ [click here to see more vinyl featuring John Patton]

Ben Dixon, drums

Grant Green, guitar [click here to see more vinyl featuring Grant Green]

Fred Jackson, sax (tenor)

Harold Vick, sax (tenor) [click here to see more vinyl featuring Harold Vick]

 

2 LPs, Gatefold jacket

Limited & Numbered Edition (Number : 1699)

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”

Stereo

Studio

Record Press :  Record Technology Incorporated

Label :  Analogue Productions

Original Label :  Blue Note

Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey

Remastered by Kevin Gray, Steve Hoffman at AcousTech Mastering

Originally released in 1963

Reissued in 2009

 

Tracks :

Side A:

  1. The Silver Meter
  2. I'll Never Be Free

Side B:

  1. Spiffy Diffy

Side C:

  1. Along Came John

Side D:

  1. Gee Gee
  2. Pig Foots

 

Reviews :

"By the time John Patton recorded Along Came John, his debut as a leader, he had already become a familiar name around the Blue Note studios. He, guitarist Grant Green, and drummer Ben Dixon had become the label's regular soul-jazz rhythm section, playing on sessions by Lou Donaldson, Don Wilkerson, and Harold Vick, among others. They had developed an intuitive, empathetic interplay that elevated many of their sessions to near-greatness, at least in the realm of soul-jazz. That's one of the reasons why Along Came John is so successful -- the three know each other so well that their grooves are totally natural, which makes them quite appealing. These original compositions may not all be memorable, but the band's interaction, improvisation, and solos are. Tenor saxophonists Fred Jackson and Harold Vick provide good support, as well, but the show belongs to Patton, Green, and Dixon, who once again prove they are one of the finest soul-jazz combos of their era." AllMusic Review by Stephen Thomas Erlewine

 

Ratings: 

AllMusic 4/5  ,   Discogs 4.5/5

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