Saint-Saens: Symphony No.3 - Marcel Dupre, Paul Paray, Detroit Symphony Orchestra (Half-Speed Mastering)
Saint-Saens: Symphony No.3 - Marcel Dupre, Paul Paray, Detroit Symphony Orchestra (Half-Speed Mastering)
Saint-Saens: Symphony No.3 - Marcel Dupre, Paul Paray, Detroit Symphony Orchestra (Half-Speed Mastering)
Saint-Saens: Symphony No.3 - Marcel Dupre, Paul Paray, Detroit Symphony Orchestra (Half-Speed Mastering)

Saint-Saens: Symphony No.3 - Marcel Dupre, Paul Paray, Detroit Symphony Orchestra (Half-Speed Mastering)

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Camille Saint-Saens - Symphony No. 3 In C Minor, Op. 78

Marcel Dupre – Organ

Detroit Symphony Orchestra

Conductor - Paul Paray


 

1 LP,  Standard sleeve

Original analog Master tape : YES

Half-speed mastering

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified

Label : Mercury Living Presence

Original Label : Mercury

Recorded in Ford Auditorium, Detroit, October 12, 1957

Recorded by Wilma Cozart

Engineered by Clarence Robert Fine

Produced by Harold Lawrence

HD Transfers Made at Abbey Road Studios from the Original First-Generation Tapes

New 3-to-2 Stereo Mixes Produced by Thomas Fine

Mastered at Abbey Road Studios

Cover Photo by Ed Cyr, Shostal

Sleeve Notes by James Lyons

Originally released in 1957

Reissued in 2022

 

Tracks :

Side A:

  1. Adagio - Allegro moderato
  2. Poco adagio

Side B:

  1. Allegro moderato - Presto - Allegro moderato
  2. Maestoso - Più allegro - Molto allegro

       

      Reviews :

      Long hailed as the audiophile's label, Mercury Living Presence represents an important milestone in the history of classical recording. Since they were first released, Mercury Living Presence LP records have been collected and coveted and 70 years after the label's first release - Mussorgsky's Pictures at an Exhibition, with Rafael Kubelík conducting the Chicago Symphony Orchestra - Mercury continues to be admired for the quality of its artistry and recordings: all celebrated for their sheer vividness of sound. This audiophile series sources the original first-generation master tapes. New HD transfers were made at Abbey Road Studios. Master files, including new 3-to-2 mixes for stereo titles, were produced by Thomas Fine, son of the original producer and recording engineer for the majority of Mercury Living Presence titles. Long considered a benchmark performance and recording, the Mercury Living Presence technique perfectly suits the rich, complex musical textures of Saint-Saens' masterwork. Recorded in Ford Auditorium, Detroit, October 12, 1957, with a Schoeps M201 microphone in the center and Neumann KM-56's on the left and right sides.

       

      Half-speed mastering.

      In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

        

      Rating: 

      Discogs : 3.75 / 5

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