Donald Byrd - Royal Flush - Audiophile
Donald Byrd - Royal Flush - Audiophile
Donald Byrd - Royal Flush - Audiophile
Donald Byrd - Royal Flush - Audiophile

Donald Byrd - Royal Flush

€35,00
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Donald Byrd – trumpet (A1-B2) [click here to see more vinyl featuring Donald Byrd]

Butch Warren - Bass 

Billy Higgins - Drums

Herbie Hancock - Piano  [click here to see more products featuring Herbie Hancock]

Pepper Adams - Saxophone

Written by Donald Byrd (A1, A3, B1-2), Joel Herron, Frank Sinatra, Jack Wolf (A2), Herbie Hancock (B3)

 

1 LP, standard sleeve

Original analog Master Tape : YES

Heavy Press : 180g

Record Color : Black

Speed : 33 RPM

Size : 12"

Stereo

Studio

Record Press : Optimal

Label : Blue Note Classic

Original Label : Blue Note

Recorded September 21, 1961 at Van Gelder Studio Englewood Cliffs, New Jersey

Recorded and engineered by Rudy Van Gelder 

Produced by Alfred Lion 

Mastered by Kevin Grey

Design by Reid Miles

Photography by Francis Wolff

Liner note by Leonard Feather

Originally released in September 21, 1961

Reissued in 2024

 

Tracks :

Side A:

  1. Hush
  2. I'm A Fool To Want You
  3. Jorgie's

Side B:

  1. Shangri-La
  2. 6 M's
  3. Requiem

 

Reviews :

Donald Byrd was at his peak as a straight-ahead hard bop band leader in the early '60s, turning a series of remarkably solid, enjoyable sessions for Blue Note. Royal Flush is no exception to the rule. Recorded in the fall of 1961, Royal Flush finds Byrd once again working with baritionist Pepper Adams, but adding bassist Butch Warren, drummer Billy Higgins, and, most importantly, a young pianist named Herbie Hancock. For the most part, the quintet plays a set of vital hard bop, swinging hard on the bluesy groove "Hush" and laying back on the pop standard "I'm a Fool to Want You." But what's really interesting is when they begin pushing the boundaries of bop. All three of Byrd's original pieces -- "Jorgie's," "Shangri-La," "6M's" -- are harmonically complex and have subtly shifting rhythms; all three are successful, but "Shangri-La" is particularly noteworthy. Similarly, Hancock's graceful "Requiem" calls attention to its fluid melodic lines and rhythm. Throughout the date, Byrd and Adams are typically impressive, alternating between punchy, hard-hitting, and graceful solos, but Hancock is just as good, signaling early on in his career his deep, unique talent". AllMusic, review by Stephen Thomas Erlewine.

 

Ratings:

AllMusic : 3 / 5 ; Discogs : 4.67 / 5 ; DownBeat : 4 / 5

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