Van Halen - Women and Children First (2LP, 45RPM, Box set, 1STEP, SuperVinyl)
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€195,00
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[click here to see more vinyl featuring Van Halen]
Alex Van Halen - drums
Eddie Van Halen - guitars, keyboards, backing vocals
David Lee Roth - vocals [click here to see more vinyl featuring David Lee Roth]
Michael Anthony - bass, backing vocals
Nicolette Larson – backing vocals (C2)
Written by Alex Van Halen, David Lee Roth, Edward Van Halen, Michael Anthony
2 LPs, box set
Limited numbered edition (7500 copies)
Original analog Master tape : YES
UltraDisc One-Step (UDS1)
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 45 RPM
Size : 12'’
Stereo
Studio
Record Press : Fidelity Record Pressing
Label : MOFI
Original Label : Warner Bros Records
Recorded December 1979 – February 1980 at Sunset Sound, Los Angeles
Engineered & mixed by Donn Landee & Gene Meros
Produced by Ted Templeman
Originally released in 1980
To be reissued in 2022
Tracks:
Side A :
- Tora! Tora!
- And The Cradle Will Rock…
Side B :
- Romeo Delight
- Fool Is
Side C :
- In A Simple Rhyme
- Could This Be Magic?
- Loss Of Control
Side D :
- Take Your Whiskey Home
- Everybody Wants Some!!
Awards :
Rolling Stone 100 Greatest Metal Albums of All Time - ranked 36
Kerrang Magazine 100 Greatest Heavy Metal Albums of All Time - ranked 30
Reviews:
“After two pure party albums, the inevitable had to happen: it was time for Van Halen to mature, or at least get a little serious. And so, Women and Children First, a record where the group started to get heavier, both sonically and, to a lesser extent, thematically, changing the feel of the band ever so slightly. Where the first two records were nothing but nonstop parties, there's a bit of a dark heart beating on this record, most evident on the breakneck metal of "Romeo Delight," but also the pair of opening party anthems, "And the Cradle Will Rock" and "Everybody Wants Some!!," which don't fly quite as high as "Dance the Night Away" or "Runnin' with the Devil" because of the tense, roiling undercurrents in Eddie's riffs, especially the thudding, circular keyboard riff propelling "And the Cradle Will Rock." The very fact that a keyboard drives this song, not a guitar, is a signal of Eddie's burgeoning ambition (which would soon become inseparable from his desire for respectability), and there are already some conflicts between this somber musicality and David Lee Roth's irrepressible hunger for fun. Where that tension would eventually tear the band apart, here it just makes for compelling music, adding richness and depth to this half-hour blast of rock & roll. This is the first Van Halen album to consist entirely of original material and there's some significant growth here to the writing, evident in the winding, cynical neo-boogie "Fools" and also in the manic "Loss of Control," which gallops by with the ferocity of hardcore punk. These, along with all previously mentioned songs, are the heaviest music Van Halen has made (or would ever make), but as the album rushes toward the end Diamond Dave pulls them toward his country-blues jive fixation with "Take Your Whiskey Home" and the all-acoustic "Could This Be Magic?" giving the album a dose of levity that is welcome if not necessarily needed. Then, before the album comes a close, the band unleashes its first stab at a power ballad with "In a Simple Rhyme," where the group's attempts at melodic grace are undercut by their compulsion to rock. This may not make for a full-fledged power ballad, but this tension between the two extremes -- by their increasing songcraft and their unhinged rock & roll -- makes for dynamic music, and captures all the contrasting glories of the album in one song.” AllMusic Review by Stephen Thomas Erlewine
UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Ratings :
AllMusic : 4,5 / 5 , Discogs : 4,05 / 5