John Coltrane In The Winner's Circle (2012 Remaster)
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Tenor Saxophone – John Coltrane (A2, A4, B2, B4) [click here to see more vinyl featuring John Coltrane]
Trumpet – Art Farmer (A1, A3, B1, B3) [click here to see more vinyl featuring Art Farmer]
Trumpet – Donald Byrd (A2, A4, B2, B4) [click here to see more vinyl featuring Donald Byrd]
Bass – Oscar Pettiford [click here to see more vinyl featuring Oscar Pettiford]
Drums – Philly Joe Jones (A2) [click here to see more vinyl featuring Philly Joe Jones]
Guitar – Kenny Burrell (A1, A3, B1, B3) [click here to see more vinyl featuring Kenny Burrell]
Drums – Ed Thigpen (A1, A3 to B4)
Guitar – Freddie Green (A2),
Alto Saxophone – Gene Quill (A2)
Baritone Saxophone – Al Cohn (A2, A4, B2, B4)
Clarinet – Rolf Kuhn (A1, A3, B1, B3)
Piano – Eddie Costa (A2, A4, B2 to B4)
Trombone – Frank Rehak (A2, A4, B2, B4)
Vibraphone – Eddie Costa (A1, A3, B1)
Arranged by Harry Tubbs
Written by Moross-LaTouche (A1), Mathews (A2), Douglas-Norman-Bearden (A3), Berlin (A4), Kern-Harbach (B1), Darwin-Girard (B2), Lewis (B3), Wheeler (B4)
1 LP, standard sleeve printed by GZ Media in Czechia
Original analog Master tape: YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : Precision Record Pressing (Canada)
Label: Bethlelem
Original Label : Bethlelem
Recorded September (A1, A3, B1, B3) and October (A2, A4, B2, B4) 1957 in New York City
Produced by Chuck Darwin
Remastered in 2012
Liner Notes by Howard Cook
Originally released in January 1958 (under the title Winner's circle) and in 1961 (under the title John Coltrane in the Winner's circle)
Reissued in January 2023
Tracks :
Side A :
1. Lazy Afternoon
2. Not So Sleepy
3. Seabreeze
4. Love and the Weather
Side B :
1. She Didn't Say Yes
2. If I'm Lucky (I'll Be the One)
3. At Home With the Blues
4. Turtle Walk
Reviews :
"The bebop scene in the late forties and early fifties challenged the parameters of music. One of the offshoot movements was the hard-bop genre which exploded in the fifties and sixties. Among its stars were Miles Davis, Art Blakey (perhaps the quintessential artist of this sound), Cannonball Adderly, Donald Byrd, Kenny Burrell, Art Farmer, Dexter Gordon and John Coltrane. The list is endless and constitutes an unequalled aggregation of talent. Hard bop incorporated many stylistic influences, including blues, gospel, and rhythm and blues. More importantly, this era propelled many talented session players to stardom.
John Coltrane – In The Winners Circle is not exactly a Coltrane album. The session represents a collective session of 1957 Downbeat instrumental winners performing in three different configurations. All of the tracks are arranged by Harry Tubbs, and they are excellent. Solos are set up by larger charts that flow methodically. Opening Side A is an under-appreciated off-Broadway tune, “Lazy Afternoon”. There is a melodic, wistful opening clarinet (Rolf Kuhn) & trumpet (Art Farmer) contrapuntal intro that moves gracefully. From there solos on vibes (Eddie Costa), clarinet, trumpet and guitar (Kenny Burrell) ensue as the arrangement returns to its context. Coltrane (tenor sax) and Donald Byrd (trumpet) take over on “Not So Sleepy”. Both offer solos in addition to Costa (piano), Al Cohn (baritone sax) and Gene Quill (alto sax). There are subtle rhythm shifts and superior full ensemble work. Carrying on some of the Latin nuances is “Seabreeze”. Costa performs another deft vibes solo, while Kuhn and Farmer (this time with a mute) add shadings of their own. Bassist Oscar Pettiford (the only player to appear on all eight cuts) contributes a solo. Along with drummer Ed Thigpen (and Philly Joe Jones on one song) and Costa (who alternates between piano and vibes), they form an all-star rhythm section with flawless timing. The Side A closer is an up-tempo swing version of Irving Berlin’s “Love And The Weather”. The ensemble charts are crisp and Coltrane (tenor), Byrd (trumpet) Costa (piano), Cohn (baritone) and Quill (alto) demonstrate artistic individual play.
Side B features more of Tubbs’ impeccable arrangements. “She Didn’t Say Yes” exudes a big band “combo” resonance. Approximating a swing bop construct, a palpable accelerated pace reinvents a classic Jerome Kern number. Vibes, clarinet, bass and guitar are showcased. A compelling ballad piece (“If I’m Lucky, I’ll Be The One”) takes advantage of the full group. The initial melody line is handled by Rehak (trombone) and Coltrane proves himself to be a keenly lyrical tenor soloist. Costa anchors the ensemble with his nimble piano. In a different style, the group shines on “At Home With The Blues”. Kuhn and Farmer rotate on lead, as four different players offer solos. There is a familiarity in the thematic structure, but it is never pedestrian. The merge of leads is fresh and has a rich texture. The final opus (“Turtle Walk”) sparkles in its complexity and agility. A grouped lead (trumpet, trombone) is combined with a descant counterpoint (baritone sax). Costa, Pettiford and Thigpen execute a cool, finger-snapping groove interlude. Later, there is a tempo shift as Cohn assumes the lead. Byrd provides the last solo, and it soars." John Sunnier, Audiophile Audition
Ratings :
Discogs : 3.5 / 5