Miles Davis Quintet - Round About Midnight (Mono, Hybrid SACD, Ultradisc UHR)
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Miles Davis - trumpet [click here to see more products featuring Miles Davis]
John Coltrane - tenor saxophone [click here to see more products featuring John Coltrane]
Red Garland - piano [click here to see more products featuring Red Garland]
Paul Chambers - bass [click here to see more products featuring Paul Chambers]
Philly Joe Jones - drums [click here to see more products featuring Philly Joe Jones]
Written by Bernie Hanighen (1), Cootie Williams (1), Thelonious Monk (1), Charlie Parker (2), Cole Porter (3), Mort Dixon (4), Ray Henderson (4), Tadd Dameron (5). Track 6 is a traditional song.
1 SACD, gatefold jacket
Limited number edition
Original analog Master tape : YES
Mono
Studio
Label : Mofi
Original Label : Columbia
Recording: October 1955, June and September 1956 at Columbia’s 30th Street Studio, New York in mono
Production: George Avakian
Mastered by Shawn R. Britton at Mobile Fidelity Sound Lab, Sebastopol, CA on The Gain 2 System™
Manufactured by Sony Music Entertainment
Originally released in 1957
Reissued in October 2012
Tracks :
- ‘Round Midnight
- Ah-Leu-Cha
- All Of You
- Bye Bye Blackbird
- Tadd’s Delight
- Dear Old Stockholm
Reviews :
"A couple of the earlier albums are more consistently top-notch (Workin' and Relaxin'), but this one is just as hard-driving on the uptempos and as crisp and moody on the ballads, especially the title track (maybe the most galvanizing version of Monk's anthem), 'All of You,' and 'Bye, Bye Blackbird.' Columbia's sound was equal to that of Rudy Van Gelder's as well." – Fred Kaplan, Stereophile
At long last these early recordings, which Miles Davis set down for the Columbia label in 1955 and 1956, are available on LP again. And what is more, they were made without any alternate takes or second attempts, as is the custom these days.
You can sit back and enjoy the six numbers in the order which the producer, probably in conjunction with Davis, decided upon. To be sure, all of the titles are well known and have been played a thousand times over in many different versions. But what this Quintet (and here each and every individual musician is meant!) produces as regards inventiveness, thrilling improvisations and artistry is absolutely top notch. Davis’s vibrato-less sound is taken over seamlessly by John Coltrane – wonderfully demonstrated in the middle of "Bye, Bye Blackbird", while Paul Chambers’ showpiece is "Ack Värmeland du sköna" (aka "Dear Old Stockholm"). In the years 1955/56, bebop was the talk of the day, born witness to by the classics "Tadd’s Delight" by Tadd Dameron and "Ah-Leu-Cha" by Charlie Parker. Here, however, the improvised melodic strands are more moderate, pointing the way to the style that later became known as modal jazz.
Although "’Round About Midnight" as an album does not enjoy the reputation of "Kind Of Blue", this Columbia recording contains many gems which are well worth hearing.
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 5 / 5 ; Discogs :