Brahms - Symphony No. 2 In D Major & Violin Conversation Tune - Erica Morini, Bruno Walter & The New York Philharmonic Orchestra (2LP, Mono, Japanese Edition)
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Rarity - Sealed
Johannes Brahms - Symphony No. 2 In D Major, op. 73 & Violin Conversation Tune Op.77
Erica Morini - Violin (A1 to B2)
The New York Philharmonic Orchestra
Conductor – Bruno Walter
2 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Mono
Studio
Record Press : unspecified (Japan)
Label : Altus
Original Label : Columbia Masterworks
Recorded December 20, 1953 & February 4, 1951
Originally released in 1956
Reissued in 2018
Tracks :
Side A: Violin Conversation Tune Op.77
1. 1st Insignia
Side B: Violin Conversation Tune Op.77
- 2nd Across
- 3rd Across
Side C: Symphony No. 2 In D Major, op. 73
1. I - Allegro Non Troppo
2.II - Adagio Non Troppo
Side D:Symphony No. 2 In D Major, op. 73
1. III - Allegretto Grazioso
2. IV - Allegro Con Spirito
Reviews:
"Bruno Walter has been played on NTS in shows including Rave Reparations Radio, featured first on 13 September 2020. Songs played include Symphony No. 4 in E minor, Op. 98 1 I. Allegro non troppo 12'58 , Symphony No. 7 In A Major, Op. 92 and Symphony No. 2 In D Major, Op. 73.
Bruno Walter (Sept 15, 1876 – Feb 17, 1962) was a German-born conductor and composer. One of the most famous conductors of the 20th century, he was born in Berlin, but moved to several countries between 1933 and 1939, finally settling in the United States in 1939. He was born Bruno Schlesinger, but began using Walter as his surname in 1896, and officially changed his surname to Walter upon becoming naturalised in Austria in 1911.
In 1896 Schlesinger took a conducting position at the opera house in Breslau – a job found for him by Mahler.
The conductor recorded that the director of this theater, Theodor Loewe, required that before taking up this position he change his name of Schlesinger, which literally means Silesian, "because of its frequent occurrence in the capital of Silesia". In 1897, he took an opera-conducting position at Pressburg, and in 1898 he took one in Riga, Latvia. Then Walter returned in 1900 to Berlin, where he assumed the post of Royal Prussian Conductor at the Staatsoper Unter den Linden, succeeding Franz Schalk; his colleagues there included Richard Strauss and Karl Muck. While in Berlin he also conducted the premiere of Der arme Heinrich by Hans Pfitzner, who became a lifelong friend.
In 1901 Walter accepted Mahler's invitation to be his assistant at the Court Opera in Vienna. Walter led Verdi's Aida at his debut. In the following years Walter's conducting reputation soared as he was invited to conduct across Europe – in Prague, in London where in 1910 he conducted Tristan und Isolde and Ethel Smyth's The Wreckers at Covent Garden, and in Rome. A few months after Mahler's death in 1911, Walter led the first performance of Das Lied von der Erde in Munich, as well as Mahler's Symphony No. 9 in Vienna the next year.
Having worked in United States for a few years Walter returned to Berlin in 1925 to work as a musical director at the Städtische Opera, Charlottenburg, and in Leipzig in 1929. He made his debut at La Scala in 1926. In London, Walter was chief conductor of the German seasons at Covent Garden from 1924 to 1931. During his later years in the United States, Walter worked with many famous American orchestras, including the Chicago Symphony Orchestra, the Los Angeles Philharmonic, the NBC Symphony Orchestra, the New York Philharmonic (where he was musical adviser from 1947 to 1949, but declined an offer to be music director), and the Philadelphia Orchestra. From 1946 onwards, he made numerous trips back to Europe, becoming an important musical figure in the early years of the Edinburgh Festival and in Salzburg, Vienna and Munich. His late life was marked by stereo recordings with the Columbia Symphony Orchestra. He made his last live concert appearance on December 4, 1960 with the Los Angeles Philharmonic and pianist Van Cliburn. His last recording was a series of Mozart overtures with the Columbia Symphony Orchestra at the end of March in 1961." NTS Radio
Ratings :
Discogs : 3.5 / 5