Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic
Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP) - AudioSoundMusic

Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP)

€850,00
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Donald Fagen – lead vocals (all tracks), organ (B1-2, D1-2), synthesizers (A1–B1, C1–D2), synth blues harp (A1), electric piano (B1, C1, D2), piano (C2), background vocals (B1-2, C1, D2), horn arrangements [click here to see more vinyl featuring Donald Fagen]

Dave Bargeron – trombone (A1), euphonium (B2)

Michael Brecker – tenor saxophone (A1, B1-2)

Randy Brecker – trumpet (A1, B1), flugelhorn (B1-2)

Larry Carlton – lead guitar (A2, B1, C1-D1), guitar (B2, D2)

Ronnie Cuber – baritone saxophone (A1, B2)

Rick Derringer – guitar (A1, B1, D2)

Frank Floyd – background vocals (A1-2, D2)

James Gadson – drums (A1), additional drums (B1)

Ed Greene – drums (B2, C1)

Gordon Grody – background vocals (A1)

Anthony Jackson – bass (A1, B1)

Steve Jordan – drums (D2)

Steve Khan – acoustic guitar (D1)

Abraham Laboriel – bass (C1)

Will Lee – bass (D2)

Hugh McCracken – guitar (A1, B1, C2), harmonica (C1)

Lesley Miller – background vocals (D2)

Marcus Miller – bass (B2, C2, D1)

Rob Mounsey – synthesizers (A1-2, C2), horn arrangements

Michael Omartian – piano (B1, C1) electric piano (C1-2)

Dean Parks – guitar (A2, D1)

Greg Phillinganes – synthesizer (D1), piano (B2), piano solo (B1), electric piano (A1-2, D1), clavinet (A2), synthesizer bass (D2)

Jeff Porcaro – drums (A2, B1, C2, D1), additional drums (A1)

Chuck Rainey – bass (A2)

Zachary Sanders – background vocals (A1-2, C2)

Valerie Simpson – background vocals (A1–B1, C2, D1)

David Tofani – alto saxophone (A1, B2)

Starz Vanderlocket – percussion (A1-2, C1, D1), background vocals (C1)

 

2 LPs, box set

Limited to 6,000 numbered copies

Original analog Master tape : YES

UD1S (UltraDisc One-Step)

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : RTI

Label : MOFI

Original Label : Warner Bros

Recorded 1981–82 at Soundworks Digital Audio/Video Recording Studios (New York), Automated Sound (New York), The Village Recorders (Los Angeles)

Engineered & mixed by Roger Nichols

Produced by Gary Katz

Remastered by Krieg Wunderlich

Originally released in 1982

Reissued in 2017

 

Tracks:

Side A :

  1. I.G.Y
  2. Green Flower Street

Side B:

  1. Ruby Baby
  2. Maxine

Side C:

  1. New Frontier
  2. The Nightfly

Side D:

  1. The Goodbye Look
  2. Walk Between Raindrops

     

    Awards:

    Colin Larkin's All Time Top 1000 Albums – Ranked 288

    1000 Recordings You Must Hear Before You Die - Ranked 504

       

      Reviews:

      “A portrait of the artist as a young man, The Nightfly is a wonderfully evocative reminiscence of Kennedy-era American life; in the liner notes, Donald Fagen describes the songs as representative of the kinds of fantasies he entertained as an adolescent during the late '50s/early '60s, and he conveys the tenor of the times with some of his most personal and least obtuse material to date. Continuing in the smooth pop-jazz mode favored on the final Steely Dan records, The Nightfly is lush and shimmering, produced with cinematic flair by Gary Katz; romanticized but never sentimental, the songs are slices of suburbanite soap opera, tales of space-age hopes (the hit "I.G.Y.") and Cold War fears (the wonderful "The New Frontier," a memoir of fallout-shelter love) crafted with impeccable style and sophistication.” AllMusic Review by Jason Ankeny


      UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.

       

      Ratings :

      AllMusic : 4,45 / 5 , Discogs : 4,5 / 5

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