Donald Fagen - The Nightfly (2LP, 45 RPM, Box, 1STEP)
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€722,50
Regular price
Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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ORDER LIMITED TO ONE ITEM PER CUSTOMER
Donald Fagen – lead vocals (all tracks), organ (B1-2, D1-2), synthesizers (A1–B1, C1–D2), synth blues harp (A1), electric piano (B1, C1, D2), piano (C2), background vocals (B1-2, C1, D2), horn arrangements [click here to see more vinyl featuring Donald Fagen]
Dave Bargeron – trombone (A1), euphonium (B2)
Michael Brecker – tenor saxophone (A1, B1-2)
Randy Brecker – trumpet (A1, B1), flugelhorn (B1-2)
Larry Carlton – lead guitar (A2, B1, C1-D1), guitar (B2, D2)
Ronnie Cuber – baritone saxophone (A1, B2)
Rick Derringer – guitar (A1, B1, D2)
Frank Floyd – background vocals (A1-2, D2)
James Gadson – drums (A1), additional drums (B1)
Ed Greene – drums (B2, C1)
Gordon Grody – background vocals (A1)
Anthony Jackson – bass (A1, B1)
Steve Jordan – drums (D2)
Steve Khan – acoustic guitar (D1)
Abraham Laboriel – bass (C1)
Will Lee – bass (D2)
Hugh McCracken – guitar (A1, B1, C2), harmonica (C1)
Lesley Miller – background vocals (D2)
Marcus Miller – bass (B2, C2, D1)
Rob Mounsey – synthesizers (A1-2, C2), horn arrangements
Michael Omartian – piano (B1, C1) electric piano (C1-2)
Dean Parks – guitar (A2, D1)
Greg Phillinganes – synthesizer (D1), piano (B2), piano solo (B1), electric piano (A1-2, D1), clavinet (A2), synthesizer bass (D2)
Jeff Porcaro – drums (A2, B1, C2, D1), additional drums (A1)
Chuck Rainey – bass (A2)
Zachary Sanders – background vocals (A1-2, C2)
Valerie Simpson – background vocals (A1–B1, C2, D1)
David Tofani – alto saxophone (A1, B2)
Starz Vanderlocket – percussion (A1-2, C1, D1), background vocals (C1)
2 LPs, box set
Limited to 6,000 numbered copies
Original analog Master tape : YES
UD1S (UltraDisc One-Step)
Heavy Press : 180g
Record color : black
Speed : 45 RPM
Size : 12'’
Stereo
Studio
Record Press : RTI
Label : MOFI
Original Label : Warner Bros
Recorded 1981–82 at Soundworks Digital Audio/Video Recording Studios (New York), Automated Sound (New York), The Village Recorders (Los Angeles)
Engineered & mixed by Roger Nichols
Produced by Gary Katz
Remastered by Krieg Wunderlich
Originally released in 1982
Reissued in 2017
Tracks:
Side A :
- I.G.Y
- Green Flower Street
Side B:
- Ruby Baby
- Maxine
Side C:
- New Frontier
- The Nightfly
Side D:
- The Goodbye Look
- Walk Between Raindrops
Awards:
Colin Larkin's All Time Top 1000 Albums – Ranked 288
1000 Recordings You Must Hear Before You Die - Ranked 504
Reviews:
“A portrait of the artist as a young man, The Nightfly is a wonderfully evocative reminiscence of Kennedy-era American life; in the liner notes, Donald Fagen describes the songs as representative of the kinds of fantasies he entertained as an adolescent during the late '50s/early '60s, and he conveys the tenor of the times with some of his most personal and least obtuse material to date. Continuing in the smooth pop-jazz mode favored on the final Steely Dan records, The Nightfly is lush and shimmering, produced with cinematic flair by Gary Katz; romanticized but never sentimental, the songs are slices of suburbanite soap opera, tales of space-age hopes (the hit "I.G.Y.") and Cold War fears (the wonderful "The New Frontier," a memoir of fallout-shelter love) crafted with impeccable style and sophistication.” AllMusic Review by Jason Ankeny
UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
Ratings :
AllMusic : 4,45 / 5 , Discogs : 4,5 / 5