Duke Ellington & Ray Brown – This One’s For Blanton Audiophile
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Duke Ellington & Ray Brown – This One’s For Blanton (unsealed)

€177,65
music-record
Unsealed vinyl
This vinyl is in mint condition but unsealed.
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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Rarity - Unsealed

Piano – Duke Ellington [click here to see more vinyl featuring Duke Ellington]

Double Bass – Ray Brown [click here to see other vinyl featuring Ray Brown]

Written by Ellington (all tracks except A5), Bob Russell (A1), Ted Persons (A3), Irving Mills (A4), Mitchell Parish (A4), Ma Rainey (A5), Ray Brown (B1-4)

 

1 LP, Gatefold Jacket printed by Stoughton Printing

Limited numbered edition

Original analog Master tape : YES

Heavy Press : 180g (HQ 180)

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press :  RTI

Label :  Analogue Productions

Original Label : Pablo Records

Recorded December 5, 1972 in United Recording, Las Vegas, Nevada.

Engineered by Val Valentin

Produced by Chad Kassem

Mastered by Doug Sax

Originally released in 1973

Reissued in 1994 

 

Tracks :

Side A:

  1. Do Nothin' Till You Hear From Me
  2. Pitter Panther Patter
  3. Things Ain't What They Used To Be
  4. Sophisticated Lady
  5. See See Rider

Side B:

  1. Fragmented Suite for Piano and Bass - First Movement
  2. Fragmented Suite for Piano and Bass - Second Movement
  3. Fragmented Suite for Piano and Bass - Third Movement
  4. Fragmented Suite for Piano and Bass - Fourth Movement

     

    Reviews :

    "For this set of duets, pianist Duke Ellington is teamed up with bassist Ray Brown in performances a bit reminiscent of Duke's work with Jimmy Blanton three decades before. In addition to the four-part "Fragmented Suite for Piano and Bass," the duo plays five standards (including "Pitter Panther Patter" from the Blanton days and three other Ellington-associated tunes). Delightful and often-playful music." AllMusic Review by Scott Yanow.

    "From that spectacular opening, Brown became one of the most reliable and sought-after bassists in jazz, a rock-solid accompanist to instrumentalists and vocalists alike. Ella Fitzgerald was a bit of both, particularly when she scatted, so it seemed quite natural that she and Brown cemented their musical partnership in marriage in 1948, though it only lasted four years." Washington Post Review by Richard Harrington.

     

    Ratings :

    Discogs 4.56 / 5 ; AllMusic : 4 / 5 ; The Penguin Guide to Jazz Recordings: 3 / 5 ; The Rolling Stone Jazz Record Guide : 5 / 5

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