Eddie Henderson – Comin' Through
Regular price
€55,00
Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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Trumpet – Eddie Henderson (A1-2, A4 to B4) [click here to see more vinyl featuring Eddie Henderson]
Trombone – Julian Priester (A2, A4 to B3)
Congas – Mtume (A4, B2-3)
Drums – Howard "Locksmith" King (A1 to B3)
Electric Piano – George Cables (A3-4, B3-4)
Percussion – Patrice Rushen (A1-2, B2), Skip Drinkwater (A4 to B2)
1 LP, standard sleeve
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified
Label : Pure Pleasure
Original Label : Capitol
Recorded in 1977 at Wally Heider Studios, San Francisco, California by Jim Gaines and at Chateau Recorders, Hollywood, California by Don Murray and John Arrias
Remixed at Wally Heider Studios, San Francisco, California by Jim Gaines, Skip Drinkwater
Produced by Skip Drinkwater
Mastered by Bernie Grundman at A&M Studios, Hollywood, California
Originally released in 1977
Tracks:
Side A:
- Say You Will (James Mtume)
- Open Eyes (Patrice Rushen)
- Morning Song (George Cables)
- Movin' On (Eddie Henderson)
Side B:
- Source (Mtume)
- The Funk Surgeo (Rushen)
- Beyond Forever (Cables)
- Connie (Eddie Henderson)
Reviews:
“In 1977, Eddie Henderson slipped into the clutches of Capitol Records, which didn't have much of a jazz division and predictably didn't know how to showcase its adventurous new trumpeter. First and foremost, they thought they could turn him into a pop/disco star -- and so, that idiot beat turns up on most of the tracks here (the exceptions are pianist George Cables' thoughtful "Morning Song" and "Beyond Forever," which harken back a bit to the jazzier Henderson of only a few years before, and a quietly uneventful duet with Cables on "Connie"). The funk band on patrol is stoked with able pros, there are background vocals on a couple of tracks (the female singer is the very young Dianne Reeves), and Henderson overdubs his horn on the cliched period brass choruses. But the deadliest element here is the mostly mediocre material that Henderson has to work with, and thus, his occasionally lost-sounding horn is largely spent on lost causes. Hard to find, which is just as well.” AllMusic Review by Richard S. Ginell
Ratings :
AllMusic : 4 / 5 ; Discogs : 4.36 / 5