Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
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Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic
Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering) - AudioSoundMusic

Linda Ronstadt - Simple Dreams (Ultra Analog, Half-speed Mastering)

€152,00
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Linda Ronstadt – lead vocals, backing vocals (A1, B5), acoustic guitar (A5, B5), arrangements (A5, B5) [click here to see more vinyl featuring Linda Rondstadt]

Dolly Parton – harmony vocals (A5)

Don Henley – backing vocals (B1)

Larry Hagler – backing vocals (B2)

JD Souther – backing vocals (B3)

Herb Pedersen – backing vocals (B5)

Dan Dugmore – acoustic guitar (A1-2, B2), steel guitar (A3, B1), electric guitar (B4)

Waddy Wachtel – electric guitar (A1-2, B2-4), backing vocals (A1-2, B4), acoustic guitar (A2, A5, B1, B3), slide guitar solo (B4)

Mike Auldridge – dobro (A5, B5)

Don Grolnick – clavinet (A1, B2), organ (A2), electric piano (A3, B1), acoustic piano (A4, B5)

Kenny Edwards – bass guitar (A1-3, B1-4), backing vocals (A1-2, B1-2, B4-5), mandolin (B1)

Rick Marotta – drums (A1-3, B1-2, B4), syndrums (A2, B1-2), shaker (A3), cowbell (B1)

Steve Forman – marimba (B1)

Peter Asher – backing vocals (A1, B3, B5), tambourine (B2), maracas (B2)

David Campbell – string arrangements (A3), viola (A3)

Dennis Karmazyn – cello (A3)

Charles Veal – violin (A3)

Richard Feves – double bass (A3)

 

1 LP, gatefold jacket

Limited numbered edition

Original analog Master tape : YES

Half-speed Mastered

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : RTI

Label : MOFI

Original Label : Asylum

Recorded May 23–July 22, 1977 at The Sound Factory, Hollywood  by Val Garay

Mixed by Val Garay at The Sound Factory, Hollywood

Produced by Peter Asher

Remastered by Shawn R. Britton at Mobile Fidelity Sound Lab

Originally released in September 1977

Reissued in 2010

 

Tracks:

Side A:

  1. It's So Easy
  2. Carmelita
  3. Simple Man, Simple Dream
  4. Sorrow Lives Here
  5. I Never Will Marry

Side B:

  1. Blue Bayou
  2. Poor Poor Pitiful Me
  3. Maybe I'm Right
  4. Tumbling Dice
  5. Old Paint


    Reviews :

    “Featuring a broader array of styles than any previous Linda Ronstadt record, Simple Dreams reconfirms her substantial talents as an interpretive singer. Ronstadt sings Dolly Parton ("I Never Will Marry") with the same conviction as the Rolling Stones ("Tumbling Dice"), and she manages to update Roy Orbison ("Blue Bayou") and direct attention to the caustic, fledgling singer/songwriter Warren Zevon ("Poor Poor Pitiful Me" and "Carmelita"). The consistently adventurous material and Ronstadt's powerful performance makes the record rival Heart Like a Wheel in sheer overall quality.” AllMusic Review by Stephen Thomas Erlewine

     

    Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.

     

    Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

     

    Ratings :

    AllMusic : 4.5 / 5 , Discogs : 4.43 / 5

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