The Allman Brothers Band - At Fillmore East (2LP, Clear vinyl, 200g Super Vinyl)
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€251,00
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
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Rarity - Sealed
Gregg Allman – organ, piano, vocals [click here to see more vinyl featuring Gregg Allman]
Duane Allman – lead guitar, slide guitar
Dickey Betts – lead guitar
Berry Oakley – bass guitar
Jai Johanny Johanson – drums, congas, timbales
Butch Trucks – drums, timpani
Thom Doucette – harmonica on "Don't Keep Me Wonderin'", "Done Somebody Wrong", "One Way Out", "Stormy Monday" and "You Don't Love Me"
Jim Santi – tambourine
Guest musicians (The Fillmore Concerts and The 1971 Fillmore East Recordings)
Bobby Caldwell – percussion on "Drunken Hearted Boy" and on March 12 shows starting with "In Memory of Elizabeth Reed"
Rudolph ("Juici") Carter – soprano saxophone on (only) both March 12 shows, starting with "In Memory of Elizabeth Reed"
Elvin Bishop – vocals on "Drunken Hearted Boy"
Steve Miller – piano on "Drunken Hearted Boy"
2 LPs, gatefold sleeve
Original analog Master tape : YES
Heavy Press : 200g Super Vinyl Clarity SV-P II
Record color : Clear
Speed : 33RPM
Size : 12”
Stereo
Live
Record Press : RTI
Label : Classic Records
Original Label : Capricorn Records
Recorded live March 12–13, 1971 at Fillmore East, New York City
Engineered by Aaron Baron, Larry Dahlstrom
Produced by Tom Dowd
Remastered by Bernie Grundman
Originally released in 1971
Reissued in 2008
Tracks:
Side A :
Statesboro Blues
Done Somebody Wrong
Stormy Monday
Side B :
You Don't Love Me
Side C :
Hot 'Lanta
In Memory Of Elizabeth Reed
Side D :
Whipping Post
Awards :
Rolling Stone 500 Greatest Albums of All Time - Rated 49/500!
Rolling Stone 500 Greatest Songs of All Time - "Whipping Post" - Rated 393/500!
Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: The Allman Brothers Rated 2nd!
1000 Recordings You Must Hear Before You Die - Ranked 214
Reviews :
"Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track. Far from being a sacrilege, this tactic helps present the Allmans in their best light, since even if the music isn't necessarily concise (three tracks run over ten minutes, with two in the 20-minute range), it does showcase the group's terrific instrumental interplay, letting each member (but particularly guitarist Duane and keyboardist/vocalist Gregg) shine. Even after the release of the unedited concerts, this original double album remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy." AllMusic Review by Stephen Thomas Erlewine
"Although this double album is unbeatable testimony to the Allman Brothers' improvisational skills, it is also evidence of how they connected with the crowds at New York's Fillmore East, and how the reciprocal energy gave birth to rock's greatest live double LP. "The audience would kind of play along with us," singer-organist Gregg Allman said of those March 1971 shows. "They were right on top of every single vibration coming from the stage." The guitar team of Duane Allman and Dickey Betts was at its hair-raising peak, fusing blues and jazz with emphatic force in "Whipping Post" and "In Memory of Elizabeth Reed." But their telepathy was cut short just three months after the album's release, when Duane died in a motorcycle accident." - www.rollingstone.com
Ratings :
AllMusic : 5 / 5 , Discogs : 4,5 / 5