Yes - 90125 (2LP, 45RPM)
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Yes [click here to see more vinyl from Yes] :
- Jon Anderson – vocals
- Trevor Rabin – guitars, keyboards, vocals
- Chris Squire – bass guitars, vocals
- Tony Kaye – Hammond organ, electric piano
- Alan White – drums, percussion, backing vocals, Fairlight CMI
Additional musicians:
- Deepak Khazanchi – sitar and tanpura (B1)
- Graham Preskett – violin (C2)
Written by Trevor Rabin (all tracks), Alan White (B2, C1, C3, D2), Chris Squire (A1 to B1, C1-3, D2), Jon Anderson (A1 to B2, C3 to D2), Tony Kaye (C1, D2), Trevor Horn (A1, C2)
2LPs, gatefold jacket printed by Stoughton Printing
Limited Edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : Black
Speed : 45 RPM
Size : 12'’
Stereo
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions - Atlantic 75 series
Original Label : Atlantic
Recorded November 1982 – July 1983 at SARM and AIR Studios, London
Engineered by Gary Langan
Original session produced by Trevor Horn
Reissue Produced by Chad Kassem
Mastered by Kevin Gray at Cohearent Audio
Originally released in November 1983
Reissued in May 2024
Tracks:
Side A:
- Owner of a Lonely Heart
- Hold On
Side B:
- It Can Happen
- Changes
Side C:
- Cinema
- Leave It
- Our Song
Side D:
- City of Love
- Hearts
Awards:
1985 Grammy Award Winner: Best Rock Instrumental Performance: "Cinema"
Reviews :
“A stunning self-reinvention by a band that many had given up for dead, 90125 is the album that introduced a whole new generation of listeners to Yes. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots. "Owner of a Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points, but there's nary a duff track on the album.” AllMusic Review by Paul Collins
Ratings :
Allmusic : 4.5 / 5 , Discogs :