Booker T. & The MG's - Green Onions
60th Anniversary edition
Booker T. & the M.G.'s :
- Booker T. Jones - Organ [click here to see more vinyl featuring Booker T. Jones]
- Charles "Packy" Axton - Saxophone
- Steve Cropper Guitar
- Donald "Duck" Dunn Bass
- Al Jackson, Jr. - Drums
- Lewie Steinberg – Bass
Written by Al Jackson (A1, A4, A6), Booker T. Jones (A1, A4, A6), Lewis Steinberg (A1, A4, A6), Steve Cropper (A1, A4, A6), David Clowney (A2), Paul Winley (A2), Ray Charles (A3), Bert Russell (A5), Phil Medley (A5), Acker Bilk (B1), Robert Mellin (B1), Doc Pomus (B2), William Robinson (B3), Cornell Muldrow (B4), Dee Clark (B4), Sid Wyche (B5), Ben Tucker (B6)
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : Black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified
Label : Stax
Original Label : Stax
Produced by Jim Stewart
Cover Photo by Irving Schild
Liner Notes by Rob Bowman
Reissued in February 2023
Tracks :
Side A:
- Green Onions
- Rinky-Dink
- I Got A Woman
- Mo' Onions
- Twist And Shout
- Behave Yourself
Side B:
- Stranger On The Shore
- Lonely Avenue
- One Who Really Loves You
- I Can't Sit Down
- A Woman, A Lover, A Friend
- Comin' Home Baby
“There's not a note or a nuance out of place anywhere on this record, which featured 35 of the most exciting minutes of instrumental music in any category that one could purchase in 1962 (and it's no slouch multiple decades out, either). "I Got a Woman" is the single best indicator of how superb this record is and this band was -- listening to this track, it's easy to forget that the song ever had lyrics or ever needed them, Booker T. Jones' organ and Steve Cropper's guitar serving as more-than-adequate substitutes for any singer. Their version of "Twist and Shout" is every bit as satisfying. Even "Mo' Onions," an effort to repeat the success of "Green Onions," doesn't repeat anything from the earlier track except the tempo, and Jones and Cropper both come up with fresh sounds within the same framework. "Behave Yourself" is a beautifully wrought piece of organ-based blues that gives Jones a chance to show off some surprisingly nimble-fingered playing, while "Stranger on the Shore" is transformed into a piece of prime soul music in the group's hands. Just when it seems like the album has turned in all of the surprises in repertory that it could reasonably deliver, it ends with "Comin' Home Baby," a killer jazz piece on which Steve Cropper gets to shine, his guitar suddenly animated around Jones' playing, his quietly trilled notes at the crescendo some of the most elegant guitar heard on an R&B record up to that time.” AllMusic Review by Bruce Eder