Harry Belafonte – Belafonte At The Greek Theatre (2LP)
Harry Belafonte – vocals [click here to see more vinyl featuring Harry Belafonte]
William Eaton – clavietta
Ernie Calabria – guitar
Jay Berliner – guitar
John Cartwright – bass
Percy Brice – drums
Ralph MacDonald – percussion
Orchestra and chorus conducted by Howard Roberts
Orchestral arrangements by Hugo Montenegro
2 LPs, gatefold sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Live
Record Press : Pallas
Label : Speakers Corner
Original Label : RCA
Recorded live August 23rd, 1963 at the Greek Theatre, Los Angeles
Engineered by Bob Simpson
Produced by Bob Bollard
Mastered by Edwin Begley
Originally released in 1963
Reissued in February 2006
Tracks :
Side A:
- Look Over Yonder—Be My Woman, Gal
- Glory Manger
- Shake That Little Foot
- Windin’ Road
- Hoedown Blues
Side B:
- Try To Remember
- Why ‘N’ Why
- Contemporary Dance
- In My Father’s House
Side C:
- Hayoshevet Baganim
- Cruel War
- Pig
- Sailor Man
- Merry Minuet
- Boot Dance
Side D:
- Zombie Jamboree
Reviews :
“By 1963, Harry Belafonte's live act had taken on the proportions of a theatrical event, tightly choregraphed and rehearsed with elaborate production numbers. For a solid month during the summer of 1963, the act sold out Los Angeles' Greek Theatre, an open-air amphitheatre nestled in the Hollywood Hills. Fans who couldn't get in would climb trees surrounding the theatre to get a glimpse of the show (Belafonte may have coined the phrase "nosebleed section"). This live, double album, Belafonte's third, was edited from performances recorded during that month, and despite a nagging echo, captures the excitement of the concerts, which helped make the Greek world renowned. Belafonte's keen sense of humor ("Excuse me, miss, do you really need binoculars from there?") and rapport with his audience are in evidence here, especially in the epic sing-along of the moment, "Zombie Jamboree," from The Many Moods of Belafonte, which takes up an entire side and nearly seventeen minutes. Very few of the songs are retreads ("Look Over Yonder" and "Try to Remember" are the only songs presented that Belafonte had recorded in the studio). A surprise inclusion is "Merry Minuet," written by Sheldon Harnick (Fiddler on the Roof), a song Belafonte had sung a decade earlier in his Broadway debut, John Murray Anderson's Almanac, but had never committed to record. This album marks the end of Belafonte's most artistically productive period on record. Other excellent albums followed Greek Theatre, but not with the consistency of those from 1959-63.” AllMusic Review by Cary Ginell
Ratings :
Allmusic : 4.5 /5 , Discogs :