Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic
Harry Belafonte – Belafonte At The Greek Theatre (2LP) - AudioSoundMusic

Harry Belafonte – Belafonte At The Greek Theatre (2LP)

€65,00
banner
AVERAGE SHIPPING TIME : 2 TO 4 WORKING DAYS
Delivery time depends on country of delivery
worldwide-delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union




Harry Belafonte – vocals [click here to see more vinyl featuring Harry Belafonte]

William Eaton – clavietta

Ernie Calabria – guitar

Jay Berliner – guitar

John Cartwright – bass

Percy Brice – drums

Ralph MacDonald – percussion

Orchestra and chorus conducted by Howard Roberts

Orchestral arrangements by Hugo Montenegro

 

2 LPs, gatefold sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Live

Record Press : Pallas

Label : Speakers Corner

Original Label : RCA

Recorded live August 23rd, 1963 at the Greek Theatre, Los Angeles

Engineered by Bob Simpson

Produced by Bob Bollard

Mastered by Edwin Begley

Originally released in 1963

Reissued in February 2006

 

Tracks :

Side A:

  1. Look Over Yonder—Be My Woman, Gal
  2. Glory Manger
  3. Shake That Little Foot
  4. Windin’ Road
  5. Hoedown Blues

Side B:

  1. Try To Remember
  2. Why ‘N’ Why
  3. Contemporary Dance
  4. In My Father’s House

Side C:

  1. Hayoshevet Baganim
  2. Cruel War
  3. Pig
  4. Sailor Man
  5. Merry Minuet
  6. Boot Dance

Side D:

  1. Zombie Jamboree

 

Reviews :

“By 1963, Harry Belafonte's live act had taken on the proportions of a theatrical event, tightly choregraphed and rehearsed with elaborate production numbers. For a solid month during the summer of 1963, the act sold out Los Angeles' Greek Theatre, an open-air amphitheatre nestled in the Hollywood Hills. Fans who couldn't get in would climb trees surrounding the theatre to get a glimpse of the show (Belafonte may have coined the phrase "nosebleed section"). This live, double album, Belafonte's third, was edited from performances recorded during that month, and despite a nagging echo, captures the excitement of the concerts, which helped make the Greek world renowned. Belafonte's keen sense of humor ("Excuse me, miss, do you really need binoculars from there?") and rapport with his audience are in evidence here, especially in the epic sing-along of the moment, "Zombie Jamboree," from The Many Moods of Belafonte, which takes up an entire side and nearly seventeen minutes. Very few of the songs are retreads ("Look Over Yonder" and "Try to Remember" are the only songs presented that Belafonte had recorded in the studio). A surprise inclusion is "Merry Minuet," written by Sheldon Harnick (Fiddler on the Roof), a song Belafonte had sung a decade earlier in his Broadway debut, John Murray Anderson's Almanac, but had never committed to record. This album marks the end of Belafonte's most artistically productive period on record. Other excellent albums followed Greek Theatre, but not with the consistency of those from 1959-63.” AllMusic Review by Cary Ginell

 

Ratings :

Allmusic : 4.5 /5 , Discogs  4,25 / 5 


Recently viewed