Stan Getz & Luiz Bonfa – Jazz Samba Encore!
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RARITY - Sealed
Tenor Saxophone – Stan Getz
Piano – Antonio Carlos Jobim (A3)
Guitar – Antonio Carlos Jobim (A1 to A4, B4), Luiz Bonfa
Vocals – Maria Toledo (A1, A3, A5, B1, B3, B5)
Bass – Don Payne (A5 to B3, B5), George Duvivier (A1-4, B4), Tommy Williams (A1-4, B4)
Drums – Dave Bailey (B3, B5), José Carlos (A1-4, B4), Paulo Ferreira
1 LP, standard sleeve
Original Master Tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : Pallas
Label : Speakers Corner
Original Label : Verve
Recorded in February 8–9 and 27, 1963 at Studio Webster Hall, New York City
Engineered by Val Valentin, Bob Simpson, Phil Ramone, Ray Hall
Produced by Creed Taylor
Lacquer cut at AcousTech Mastering by Kevin Gray
Liner Notes by Dom Cerulli
Cover Painting by Olga Albizu
Photography by Jim Marshall
Originally released in April, 1963
Reissued in 2000
Tracks :
Side A:
1. Sambalero
2. So Dance Samba
3. Insensatez
4. O Morro Nao Tem Vez
5. Samba De Duas Notas (Two Note Samba)
Side B:
1. Menina Flor
2. Mania De Maria
3. Saudade Vem Correndo
4. Um Abraco No Getz (A Tribute To Getz)
5. Ebony Samba
Reviews:
"Here's some more bossa nova from Stan Getz when the bloom was still on the first Brazilian boom. This time, however, on his third such album, Getz relies mostly upon native Brazilians for his backing. Thus, the soft-focused grooves are considerably more attuned to what was actually coming out of Brazil at the time. Two bona fide giants, Antonio Carlos Jobim and Luiz Bonfá (who gets co-billing), provide the guitars and all of the material, and Maria Toledo contributes an occasional throaty vocal. Getz injects more high-wailing passages into his intuitive affinity for the groove, even going for some fast bop on "Un Abraco No Getz," and Bonfá takes adept care of the guitar solos against Jobim's rock-steady rhythm. Clearly Jobim's songwriting contributions -- "So Danco Samba," "How Insensitive," and "O Morro Nao Tem Vez" -- would have the longest shelf life, and though the album didn't sell as well as its two predecessors, it certainly helped break these tunes into the permanent jazz repertoire. Avid bossa nova fans will certainly treasure this album for the lesser-known Bonfá tunes." AllMusic review by Richard S. Ginell.
Rating :
AllMusic : 4 / 5 ; Discogs : 4.65 / 5 ; New Record Mirror: 1 / 5 ; The Penguin Guide to Jazz : 3.5 / 4 ; The Rolling Stone Jazz Record Guide : 3 / 5 ; Down Beat : 4 / 5