Eagles - On The Border (2LP, 45RPM, Box set, 1STEP, SuperVinyl)
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€195,00
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Glenn Frey – vocals; acoustic rhythm guitar; electric rhythm guitar; lead guitar; slide guitar; piano
Don Henley – vocals, drums
Bernie Leadon – vocals; lead, acoustic and rhythm guitars; banjo; pedal steel
Randy Meisner – vocals, bass guitar
Don Felder – lead guitar on “Already Gone” and slide guitar on “Good Day in Hell” (credited as "late arrival")
Al Perkins – pedal steel guitar (on "Ol' 55")
Written by Jack Tempchin (A1), Robb Strandlund (A1), Don Henley (A2, B3, C1, D1-2), J.D. Southern (A2, C1, D2), Paul Craft (B1), Bernie Leadon (B2-3), Glenn Frey (B3, C1, D1-2), Jackson Browne (C1), Tom Waits (C2), Randy Meisner (C3)
2 LPs, box set
Limited to 10,000 numbered copies
Original analog Master tape : YES
UltraDisc One-Step (UDS1)
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 45 RPM
Size : 12'’
Stereo
Studio
Record Press : RTI
Label : MOFI
Original Label : Asylum Records
Recorded at Record Plant Studios, Los Angeles and Olympic Studios, London
Engineered by Bill Szymczyk (A1, B1 to D1), Glyn Johns (A2, D2)
Remastered at Record Plant Studios, Los Angeles and Olympic Studios, London
Produced by Bill Szymczyk (A1, B1 to D1), Glyn Johns (A2, D2)
Originally released in 1974
Reissued in 2022
Tracks:
Side A :
- Already Gone
- You Never Cry Like A Lover
Side B :
- Midnight Flyer
- My Man
- On The Border
Side C :
- James Dean
- Ol' 55
- Is It True
Side D :
- Good Day In Hell
- The Best Of My Love
Reviews:
“The Eagles began recording their third album in England with producer Glyn Johns, as they had their first two albums, but abandoned the sessions after completing two acceptable tracks. Johns, it is said, tended to emphasize the group's country elements and its harmonies, while the band, in particular Glenn Frey and Don Henley, wanted to take more of a hard rock direction. They reconvened with a new producer, Bill Szymczyk, who had produced artists like B.B. King and, more significantly, Joe Walsh. But the resulting album is not an outright rock effort by any means. Certainly, Frey and Henley got what they wanted with "Already Gone," the lead-off track, which introduces new bandmember Don Felder as one part of the twin guitar solo that recalls the Allman Brothers Band; "James Dean," a rock & roll song on the order of "Your Mama Don't Dance," and "Good Day in Hell," which is strongly reminiscent of Joe Walsh songs like "Rocky Mountain Way." But the album also features the usual mixture of styles typical of an Eagles album. For example, "Midnight Flyer," sung by Randy Meisner, is modern bluegrass; "My Man" is Bernie Leadon's country-rock tribute to the recently deceased Gram Parsons; and "Ol' 55" is one of the group's well-done covers of a tune by a singer/songwriter labelmate, in this case Tom Waits. The title track, meanwhile, points the band in a new R&B direction that was later pursued more fully. Like most successful groups, the Eagles combined many different elements, and their third album, which looked back to their earlier work and anticipated their later work, was a transitional effort that combined even more styles than most of their records did.” AllMusic Review by William Ruhlmann
UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Ratings :
AllMusic : 3 / 5 , Discogs : 3,9 / 5