Eagles - One Of These Nights (2LP, 45RPM, Box set, 1STEP, SuperVinyl)
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€195,00
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Glenn Frey – vocals, guitars, piano, electric piano, harmonium
Don Henley – vocals, drums, percussion, tabla
Bernie Leadon – vocals, guitars, banjo, mandolin, pedal steel
Randy Meisner – vocals, bass guitar
Don Felder – vocals, guitars, slide guitar
David Bromberg – fiddles ("Journey of the Sorcerer")
The Royal Martian Orchestra – strings ("Journey of the Sorcerer")
Albhy Galuten – synthesizer ("Hollywood Waltz")
Jim Ed Norman – piano ("Lyin' Eyes", "Take It to the Limit"), orchestrations, conductor, string arrangements
Sid Sharp – concert master
The Eagles – string arrangements
2 LPs, box set
Limited to 10,000 numbered copies
Original analog Master tape : YES
UltraDisc One-Step (UDS1)
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : RTI
Label : MOFI
Original Label : Asylum Records
Recorded 1974–1975 at Mac Emmerman's Criteria Studios, Miami and Record Plant, Los Angeles
Engineered by Allan Blazek, Don Wood, Ed Mashal, Michael Braunstein, Michael Verdick
Produced by Bill Szymczyk
Originally released in 1975
To be reissued in 2022
Tracks:
Side A :
- One Of These Nights
- Too Many Hands
Side B :
- Hollywood Waltz
- Journey Of The Sorcerer
Side C :
- Lyin' Eyes
- Take It To The Limit
Side D :
- Visions
- After The Thrill Is Gone
- I Wish You Peace
Awards :
Grammy Award for "Lyin' Eyes"
Reviews:
“The Eagles recorded their albums relatively quickly in their first years of existence, their LPs succeeding each other by less than a year. One of These Nights, their fourth album, was released in June 1975, more than 14 months after its predecessor. Anticipation had been heightened by the belated chart-topping success of the third album's "The Best of My Love"; taking a little more time, the band generated more original material, and that material was more polished. More than ever, the Eagles seemed to be a vehicle for Don Henley (six co-writing credits) and Glenn Frey (five), but at the same time, Randy Meisner was more audible than ever, his two lead vocals including one of the album's three hit singles, "Take It to the Limit," and Bernie Leadon had two showcases, among them the cosmic-cowboy instrumental "Journey of the Sorcerer" (later used as the theme music for the British television series The Hitchhiker's Guide to the Galaxy). Nevertheless, it was the team of Henley and Frey that stood out, starting with the title track, a number one single, which had more of an R&B -- even a disco -- sound than anything the band had attempted previously, and continuing through the ersatz Western swing of "Hollywood Waltz" to "Lyin' Eyes," one of Frey's patented folk-rock shuffles, which became another major hit. One of These Nights was the culmination of the blend of rock, country, and folk styles the Eagles had been making since their start; there wasn't much that was new, just the same sorts of things done better than they had been before. In particular, a lyrical stance -- knowing and disillusioned, but desperately hopeful -- had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles' best-realized and most popular album so far.” One of These Nights Review by William Ruhlmann
UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Ratings :
AllMusic : 4 / 5 , Discogs : 4,05 / 5