Linkin Park - Hybrid Theory (1Step)
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Linkin Park [click here to see more products featuring Linkin Park]
Vocals : Chester Bennington
Drums, percussion, backing vocals - Rob Bourdon
Guitars, backing vocals; bass - Brad Delson
Turntables, samples, synthesizers, backing vocals, artwork - Joe Hahn
Mike Shinoda - Co-lead and rap vocals, keyboards, programming, samples, rhythm guitar, piano
Bass - Phoenix, Ian Hornbeck, Scott Koziol
Sequencing, and samples - The Dust Brothers
Written by Linkin Park (A1-2, A4, A6, B1-6), Linkin Park, The Dust Brothers (A3), Chester Bennington, Rob Bourdon, Brad Delson, Dave "Phoenix" Farrell, Joseph Hahn, Mike Shinoda, Mark Wakefield (A5), Linkin Park, Mark Wakefield (A6)
1 LP Gatefold "Old-Style" Tip-On Jacket
Limited to 3,000 numbered copies
Original 192/24 Files from Original Master Tape : YES
One Step Mastering
Heavy Press : 180g VR900 Super Vinyl
Record Color : Black
Speed : 33 RPM
Size : 12''
Stereo
Studio
Record Press : RTI
Label : Because Sound Masters
Original Label : Warner Bros.Machine Shop
Recorded: March–July 2000 at NRG (Los Angeles)
Engeenered by Steve Sisco
Produced by Don Gilmore
Mixed by Andy Wallace
Photography by James Minchin III
Mastered by Levi Seitz at Blackbelt Studios
Originally released in June 2002
Reissued in 2024
Tracks:
Side A:
- Papercut
- One Step Closer
- With You
- Points of Authority
- Crawling
- Runaway
Side B:
- By Myself
- In the End
- A Place for My Head
- Forgotten
- Cure for the Itch
- Pushing Me Away
Awards :
2002 : Grammy Award for Best Hard Rock Performance
Review :
"At the turn of the 21st century, as nu-metal neared its peak in mainstream popularity, the next generation of bands began to emerge, influenced by that scene's unhinged anger, pummeling metallic riffs, and hip-hop flourish. Of those groups, Californian crew Linkin Park rose to the top of the pack with their boundary-busting approach to the genre, which they debuted on their first effort, Hybrid Theory. Released in late 2000, the album took the basics of rap-metal fusion, discarded the lug-headed posturing and cartoonish profanity, and expanded its scope to include atmospheric electronics, a pop-savvy attention to hooks, and confessional lyrics that balanced angst with vulnerability. Anchored by the effortless interplay between throat-shredding vocalist Chester Bennington and emcee Mike Shinoda, the sextet also featured the talents of guitarist Brad Delson, bassist Dave "Phoenix" Farrell, drummer Rob Bourdon, and programmer/DJ Joe Hahn, the behind-the-scenes wizard on the turntables (who has his own moment to shine on "Cure for the Itch"). Together, they crafted a taut set of deviously catchy and relatable anthems that quickly connected them to a legion of fans who craved more emotional depth in their heavy music. On breakthrough single "One Step Closer," a seething Bennington showcased his wide range -- which whips from a pained whisper to a feral roar -- as Hahn wildly scratched and scrubbed on the turntables, mimicking the turmoil and angst in Bennington's lyrics. "By Myself" and "A Place for My Head" operate on a similar level, unleashing Bennington's bloody shrieks upon Shinoda's aggressive rhymes and a band united as a fine-tuned melodic unit. Later, on "Points of Authority," atop Hahn's explosive effects, Bennington's rage hits another peak, confronting the one who sexually abused him as a child. Such heavy lyrical content forms the core of Hybrid Theory, creating a cathartic outlet for those who can relate to struggling with addiction (the Grammy-winning "Crawling"), paranoia ("Papercut"), failed relationships ("Pushing Me Away," "In the End"), and much more. The combination of emotional bloodletting and gifted songwriting resonated with the public, and Hybrid Theory was soon an international, diamond-certified smash, catapulting Linkin Park to worldwide fame. However, before becoming one of the most beloved bands of the 2000s and 2010s, they were a group of hungry unknowns who sought to try something new with their hybrid approach to genre and human emotion. " AllMusic Review by Neil Z. Yeung
Ratings :
AllMusic : 5 / 5 ; Classic Rock : 6 / 10 ; Kerrang : 5 / 5 ; Melodic : 4.5 / 5 ; Melody Maker : 4 / 5 ; NME : 6 / 10 ; Pitchfork : 7.6 / 10 : Rolling Stone : 2.5 / 5 ; The Rolling Stone Album Guide : 3.5 / 5