Bob Dylan – Highway 61 Revisited (Japanese Edition)
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Bob Dylan – Highway 61 Revisited (Ultra Analog, Japanese Edition)

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Rarity - Sealed

Bob Dylan – vocals, guitar, harmonica, piano, Acme siren  [click here to see more vinyl featuring Bob Dylan]

Mike Bloomfield – electric guitar

Al Kooper – organ, piano

Paul Griffin – piano, organ

Frank Owens – piano

Harvey Brooks – bass

Bobby Gregg – drums

Bruce Langhorne – tambourine

Charlie McCoy – guitar ("Desolation Row")

Sam Lay – drums ("Highway 61 Revisited")

Russ Savakus – bass guitar, upright bass ("Desolation Row")

Joe Macho, Jr. – bass guitar ("Like A Rolling Stone")

All songs written by Bob Dylan

 

1 LP, gatefold jacket

Limited edition

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Sony Japan

Label : Sony Record

Original Label : Columbia

Recorded June - August 1965 at Columbia Studio A, New York City

Produced by Bob Johnston, Tom Wilson ("Like a Rolling Stone")

Mastered by Krieg Wunderlich

Originally released in August 1965

Reissued in April 2018

 

Tracks:

Side A:

  1. Like A Rolling Stone
  2. Tombstone Blues
  3. It Takes A Lot To Laugh, It Takes A Train To Cry
  4. From A Buick 6
  5. Ballad Of A Thin Man

Side B :

  1. Queen Jane Approximately
  2. Highway 61 Revisited
  3. Just Like Tom Thumb's Blues
  4. Desolation Row

                 

                Reviews :

                “Taking the first, electric side of Bringing It All Back Home to its logical conclusion, Bob Dylan hired a full rock & roll band, featuring guitarist Michael Bloomfield, for Highway 61 Revisited. Opening with the epic "Like a Rolling Stone," Highway 61 Revisited careens through nine songs that range from reflective folk-rock ("Desolation Row") and blues ("It Takes a Lot to Laugh, It Takes a Train to Cry") to flat-out garage rock ("Tombstone Blues," "From a Buick 6," "Highway 61 Revisited"). Dylan had not only changed his sound, but his persona, trading the folk troubadour for a streetwise, cynical hipster. Throughout the album, he embraces druggy, surreal imagery, which can either have a sense of menace or beauty, and the music reflects that, jumping between soothing melodies to hard, bluesy rock. And that is the most revolutionary thing about Highway 61 Revisited -- it proved that rock & roll needn't be collegiate and tame in order to be literate, poetic, and complex.” AllMusic Review by Stephen Thomas Erlewine

                 

                Ratings :

                AllMusic : 5 / 5 , Discogs : 4.93 / 5

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