Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner - AudioSoundMusic
Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner - AudioSoundMusic
Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner - AudioSoundMusic
Out of stock
Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner - AudioSoundMusic
Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner - AudioSoundMusic
Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner - AudioSoundMusic

Mendelssohn - Violin Concertos - Viktoria Mullova & Neville Mariner

€60,00
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Felix Mendelssohn Bartholdy - Violin Concerto in E minor, Op. 64 & Violin Concerto in D minor

Viktoria Mullova - violin

Academy of St. Martin in the Fields       

Sir Neville Marriner - conductor

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g Virgin Vinyl

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Analogphonic

Original Label : Philips

Recorded in London in January 1990

Engineered by Fiona Gale, Willem Van Leeuwen

Produced by Hein Dekker

Remastered by Rainer Maillard

Originally released in 1991

Reissued in 2019

 

Tracks:

Side A: Violin Concerto in E minor, Op. 64

  1. Allegro molto appassionato
  2. Andante
  3. Allegretto non troppo -- Allegro molto vivace

Side B: Violin Concerto in D minor

  1. Allegro molto
  2. Andante
  3. Allegro

 

Reviews:

“The Classical Catalogue is particularly rich in fine recordings of the Mendelssohn E minor Violin Concerto. But Viktoria Mullova's account is second to none, and she is splendidly accompanied by Marriner and his Academy of St. Martin in the Fields. The performance has great warmth and freshness. That moment on which so much depends, the preparation for the arrival of the first movement's second subject, does not disappoint. Indeed the lovely melody arrives with the utmost naturalness and at the beginning of the falling solo arpeggio. Mullova's momentary tenuto is ravishing. She phrases the slow movement most beautifully, too, and Marriner ensures that it does not languish, moving on the middle section persuasively. The finale dances and effervesces gleefully. The recording is one of Philips's very best, which means the balance is natural; the solo timbre does not betray an excessively close microphone, yet is consistently full and beautiful, without in any way lacking presence. The orchestra has bloom as well as weight, and all necessary brilliance.” Gramophone

 

Ratings :

Discogs : 4,78 / 5

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