Elvis Presley - From Elvis in Memphis (Hybrid SACD, Ultradisc UHR) - Audiophile
Elvis Presley - From Elvis in Memphis (Hybrid SACD, Ultradisc UHR) - Audiophile
Elvis Presley - From Elvis in Memphis (Hybrid SACD, Ultradisc UHR) - Audiophile
Elvis Presley - From Elvis in Memphis (Hybrid SACD, Ultradisc UHR) - Audiophile

Elvis Presley - From Elvis in Memphis (Hybrid SACD, Ultradisc UHR)

€45,00



ORDER LIMITED TO ONE ITEM PER CUSTOMER

Elvis Presley – vocals, guitar, piano on "I'll Hold You In My Heart (Till I Can Hold You In My Arms)" [click here to see more Vinyl /SACD featuring Elvis Presley]

Glen Spreen – string and horn arrangements

Ed Kollis – harmonica on "Power of My Love" and "True Love Travels on a Gravel Road"

John Hughey – pedal steel guitar (on "In the Ghetto")

Reggie Young – lead guitar

Bobby Wood – piano

Bobby Emmons – Hammond organ

Tommy Cogbill – bass guitar

Mike Leech – bass guitar, string and horn arrangements

Gene Chrisman – drums

Wayne Jackson – trumpet

Dick Steff – trumpet

R.F. Taylor – trumpet

Ed Logan – trombone

Jack Hale – trombone

Gerald Richardson – trombone

Tony Cason – French horn

Joe D'Gerolamo – French horn

Andrew Love – saxophone

Jackie Thomas – saxophone

Glen Spreen – saxophone

J.P. Luper – saxophone

Joe Babcock – backing vocals

Dolores Edgin – backing vocals

Mary Greene – backing vocals

Charlie Hodge – backing vocals

Ginger Holladay – backing vocals

Mary Holladay – backing vocals

Millie Kirkham – backing vocals

Ronnie Milsap – backing vocals

Sonja Montgomery – backing vocals

June Page – backing vocals

Susan Pilkington – backing vocals

Sandy Posey – backing vocals

Donna Thatcher – backing vocals

Hurschel Wiginton – backing vocals


1 Hybrid SACD, Ultradisc UHR

Limited to 3,000 numbered copies

Stereo

Studio

Label : MOFI

Original Label : RCA Victor

Recorded January–February 1969 at American Sound Studio, Memphis, Tennessee

Engineered by Al Pachucki

Produced by Felton Jarvis and Chips Moman

Originally released in 1969

Reissued in September 2023

 

Tracks:

  1. Wearin' That Loved On Look
  2. Only the Strong Survive
  3. I'll Hold You in My Heart
  4. Long Black Limousine
  5. It Keeps Right On A-Hurtin'
  6. I'm Movin' On
  7. Power of My Love
  8. Gentle on My Mind
  9. After Loving You
  10. True Love Travels on a Gravel Road
  11. Any Day Now
  12. In the Ghetto


    Awards:

    Rolling Stone 500 Greatest Albums of All Time - Ranked 322

    1000 Recordings you must hear before you die - Ranked 152

     

    Reviews:

    “After a 14-year absence from Memphis, Elvis Presley returned to cut what was certainly his greatest album (or, at least, a tie effort with his RCA debut LP from early 1956). The fact that From Elvis in Memphis came out as well as it did is something of a surprise, in retrospect -- Presley had a backlog of songs he genuinely liked that he wanted to record and had heard some newer soul material that also attracted him, and none of it resembled the material that he'd been cutting since his last non-soundtrack album, six years earlier. And he'd just come off of the NBC television special which, although a lot of work, had led him to the realization that he could be as exciting and vital a performer in 1969 as he'd been a dozen years before. And for what was practically the last time, the singer cut his manager, Tom Parker, out of the equation, turning himself over to producer Chips Moman. The result was one of the greatest white soul albums (and one of the greatest soul albums) ever cut, with brief but considerable forays into country, pop, and blues as well. Presley sounds rejuvenated artistically throughout the dozen cuts off the original album, and he's supported by the best playing and backup singing of his entire recording history.” AllMusic Review by Bruce Eder

    Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

     

    Ratings :

    AllMusic : 5 / 5 , Discogs : 4,36 / 5

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