Jaco Pastorius - Truth, Liberty & Soul (Reel-to-Reel)
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Vocals, bass - Jaco Pastorius [click here to see more products featuring Jaco Pastorius]
Alto saxophone - Bob Stein
Baritone saxophone - Howard Johnson, Randy Emerick
Drums - Peter Erskine
French horn - John Clark, Peter Gordon
Harmonica - Toots Thielemans
Percussion - Don Alias
Steel drums - Othello Molineau
Tenor saxophone - Frank Wess, Lou Marini
Tenor saxophone, soprano saxophone, bass clarinet - Bob Mintzer
Trombone - David Taylor, Jim Pugh, Wayne Andre
Trumpet - Alan Rubin, Jon Faddis, Ken Faulk, Lew Soloff, Randy Brecker, Ron Tooley
Tuba - Dave Bargeron
2 x reel-to-reel
1/4'' 15 IPS CCIR EQ, sourced from a copie of the original Analog Master Tape
Transferred real-time, using a Nagra-T tape recorder, modified with high-end tube playback electronics, wired from the playback head
Stereo
Studio
Label : Fidelio 2xHD
Original Label : 2xHD
Recorded at the Record Plant Mobile Studio truck at the Avery Fisher Hall, New York City, N.Y. on June 27, 1982, as part of George Wein's Kool Jazz Festival
Recorded and mixed by Paul Blakemore
Produced by André Perry
Mastered by Renée Laflamme
Photography by Don Hunstein, Tom Copi
Originally released in May 2017
Reissued in 2024
Tracks:
Tape 1:
1. Invitation
2. Sophisticated Lady
3. Fannie Mae
Tape 2:
1. Okonkolé y Trompa
2. Reza/Giant Steps (Medley)
3. Mr. Fonebone
Reviews :
"Resonance Records goes out of its way again to unearth yet another significant chapter in jazz history, and once again, it's one that relatively few fans have ever heard. This performance of Jaco Pastorius' Word of Mouth Big Band was captured during George Wein's Kool Jazz Festival at Avery Fisher Hall. It was broadcast on NPR's Jazz Alive program, but this double disc contains the entire performance, with more than 40 minutes of additional music.
As his time with Weather Report wound down, Pastorius threw himself into Word of Mouth. A studio album was issued a year earlier, and versions of this outfit had played in Florida, San Francisco, and Los Angeles. Pastorius assembled a who's who for this date. The core band featured Bob Mintzer, Randy Brecker, Peter Erskine, Don Alias, and Othello Molineux (on steel drums). That said, the 16-piece horn section included Frank Wess, Lou Marini, Lew Soloff, Jon Faddis, John Clark, and David Bargeron (on tuba), to name a few. What's more, the grandest harmonicat of all, Toots Thielemans, was a featured soloist.
Jaco's charts are exquisite, full of energy, sophistication, and humor. Check the tuba intro and burning break in the 13-minute workout on Charlie Parker's "Donna Lee," amid the fiery interplay of the steel drums, Mintzer's electric bass clarinet, and the drums and bass. This space-age bebop is contrasted beautifully as Thielemans joins in for Pastorius' elegant "Three Views of a Secret," the hard-swinging Latin and Caribbean rhythms in "Liberty City" (with gorgeous contrapuntal improvising by the whole band), and a sparsely adorned, romantic read of Duke Ellington's "Sophisticated Lady." Disc one closes with a bumping Caribbean take on the harmonicist's standard "Bluesette."
The second disc opens with an absolutely cooking read of Bob Marley's "I Shot the Sheriff," before a series of lengthy tunes bookended by heavy percussion workouts.
"Okonkolé y Tompa" spends ten of its 15 minutes as an Alias solo before Jaco's bass and Clark's French horn join him, adding intimacy and tenderness. The glorious medley of "Reza/Giant Steps" -- a true set highlight -- displays Pastorius' canny arrangements, even as his lead guitar-like playing gets to shine. "Mr. Fonebone" brings back Toots with a joyous carnival-esque intro that leads into knotty post-bop. The extreme length of the "Bass and Drum Improvisation" will make hardcore fans of Erskine and Pastorius salivate, but for most, once or twice through will suffice. The finale is a Jaco evergreen: "Fannie Mae" is a hard-swinging blues shuffle that features his vocals and bass playing in call and response with Thielemans and Mintzer as the band wails.
Sure, Truth, Liberty & Soul is for the Pastorius fanatics, but it's much more: this fantastically recorded document is a treasure trove of modern progressive jazz. The brilliant music found on it serves to underscore that Jaco was more than a brilliant, singular bassist (though that would have been enough); he was a great composer, arranger, and charismatic bandleader -- a true jazz renaissance man." AllMusic Review by Thom Jurek
Ratings :
AllMusic : 4 / 5 ; Discogs : 4.77 / 5