Roy Haynes Quartet - Out Of The Afternoon
Roy Haynes Quartet - Out Of The Afternoon
Roy Haynes Quartet - Out Of The Afternoon
Roy Haynes Quartet - Out Of The Afternoon

Roy Haynes Quartet - Out Of The Afternoon (Test Pressing)

€100,00
music-record
Unsealed vinyl
This vinyl is in mint condition but unsealed.
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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TEST PRESSING
Test pressings are the first copies (typically 5 to 10) of a record that are pressed from the metal stampers to assess the quality of the pressed records. They are usually sent to artists, producers, record labels, and other key stakeholders for approval. These test pressings are usually devoid of artwork, labels, or any other decorative elements, focusing solely on the audio quality. Made while the stampers are fresh, they would sound better and are often considered valuable by collectors.

RARITY, TEST PRESSING
Henry Grimes, bass

Tommy Flanagan, piano [click here to see more vinyl featuring Tommy Flanagan]

Roland Kirk, saxophone, manzello, stritch, flute [click here to see more vinyl featuring Roland Kirk]


 

1 LP, test white sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Pallas

Label : Impulse

Original Label :  Impulse

Recorded on May 16 and May 23 at Van Gelder Studio, Englewood Cliffs, New Jersey by Rudy Van Gelder

Produced by Bob Thiele

Engineered by Rudy Van Gelder

Originally released in 1962

Reissued in 2007

 

Tracks :

Side A:

  1. Moon Ray
  2. Fly Me To The Moon (In Other Words)
  3. Raoul

Side B:

  1. Snap Crackle
  2. If I Should Lose You
  3. Long Wharf
  4. Some Other Spring

 

Reviews :

"Out of the Afternoon is a splendid sounding 1962 set from the Roy Haynes Quartet -- which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano, and Roland Kirk on saxes, manzello, stritch, and flutes. The album is a delightful mix of techniques in arrangement and performance, with all of the musicians delivering terrific work. Haynes' drumming is absolutely wonderful here, lightly dancing around the other instruments; Flanagan's piano playing is equally light and delicate; Grimes' bass work is outstanding (during "Raoul" you have a chance to hear one of the few bowed bass solos on records of that era); and there's no more to be said about Kirk's sax and flute work that hasn't been said a hundred times, apart from the fact that the flute solos on "Snap Crackle" help this cut emerge as particularly outstanding." AllMusic Review by Steven McDonald

"If you're not familiar with Kirk, just check out 'Raoul' and 'Snap Crackle' (both Haynes originals, the second named after a euphemism for his drumming style) where the great jazzman employs his style of playing more than one brass instrument at the same time. On 'Raoul' (which also features an outstanding bowed bass solo by Henry Grimes) Kirk plays the tenor sax and the manzello both simultaneously and individually. On 'Snap Crackle' things get even more interesting. At one point he plays the tenor, the strich, the manzello and the flute at the same time, then follows that with a flute solo that is nothing short of pure Kirk musicianship. He takes the flute out of the bell of his tenor, plays an urgent solo for about six bars before then accompanying the flute with both a nose flute (it is just what it sounds like it is) and then using a humming in his throat as yet another accompanying instrument. Some say Kirk is an acquired taste, I say he's pure genius" — The Jazz Record

 

Rating: 

AllMusic 4.5/5  ,  Discogs 4.6/5

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