Bach - Sonates pour violoncelle – Mischa Maisky et Martha Argerich (Enregistrement Digital)
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Johann Sebastian Bach - Cello Sonatas BWV 1027-1029
Mischa Maisky, cello
Martha Argerich, piano
1LP, standard sleeve
Original analog Master tape : NO (Digital Recording Original Master Tape)
Heavy Press : 180g Virgin vinyl
Record color : Black
Speed : 33RPM
Size : 12'’
Stereo
Studio
Record Press : Pallas (Germany)
Label : Analogphonic
Original label : Deutsche Grammophon
Recorded by Wolfgang Stengel
Engineered by Karl-August Naegler
Mastered by Maarten de Boer
Produced by Hanno Rinke
Originally released in 1985
Reissued in 2015
Tracks :
Side A :
- Sonata No. 1 G-dur BWV 1027 - Adagio
- Sonata No. 1 G-dur BWV 1027 - Allegro Ma Mon Tanto
- Sonata No. 1 G-dur BWV 1027 - Andante
- Sonata No. 1 G-dur BWV 1027 - Allegro Moderato
- Sonata No. 2 D-dur BWV 1028 – Adagio
- Sonata No. 2 D-dur BWV 1028 - Allegro
Side B :
- Sonata No. 2 D-dur BWV 1028 - Andante
- Sonata No. 2 D-dur BWV 1028 - Allegro
- Sonata No. 3 G-moll BWV 1029 – Vivace
- Sonata No. 3 G-moll BWV 1029 – Adagio
- Sonata No. 3 G-moll BWV 1029 - Allegro
Reviews:
“Bach wrote these sonatas, some of whose music presents a reworking of earlier trio compositions, for a partnership of viola da gamba and harpsichord. The G major and D major works adopt the four-movement sonata da chiesa scheme, whilst the G minor, organized more along the lines of a concerto, is in three movements. The harpsichord is treated as a concertante instrument almost throughout, whilst the viola da gamba writing reflects the virtuoso position which the instrument had reached in late-baroque German music. These are absorbingly interesting and emotionally satisfying works which reach their high-water mark in the expansive and very beautiful Sonata in G minor, BWV1029. Most of the recordings on the market are performances on the instruments which Bach specifically asked for, but intelligent and expressive readings recently came from Yo-Yo Ma and Kenneth Cooper on CBS. Here is another which takes us a step, but a big step further from Bach's own sound-picture. Let me say at once that the playing of both artists is highly accomplished and is a true partnership throughout. The DG engineers have been careful not to give either instrument undue prominence over the other and that ensures both textural clarity and musical sense. Mischa Maisky is a fine a technician with an unerring ear for intonation and a good sense of phrase. Martha Argerich's Bach playing probably needs little in the way of introduction from me - her recording of the C minor Partita, BWV826, is one of the finest by a pianist that I am acquainted with.” The Gramophone Magazine
Ratings:
Discogs : 3.91 / 5