Caveman - Coco Beware
Prix habituel
€39,00
Il n'y aura pas d'expédition avant le 9 Janvier
Toutes nos excuses pour ce désagrément
NOUS NE POUVONS PAS NOUS ENGAGER SUR UNE DATE DE LIVRAISON POUR LES VINYLES & CD/SACD EN PRE-COMMANDE
Les Labels prennent parfois plusieurs mois pour livrer les vinlyes & CD/SACD en pré-commande
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
Matthew Iwanusa
Jimmy Carbonetti
Stefan Marolachakis
Sam Hopkins
Jeff Berrall
Written by Caveman
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : Record Industry
Label : ORG Music
Original Label : ORG Music
Recorded at the Loveboat studio
Produced by Nick Stumpf
Released in 2011
Tracks:
Side A :
- A Country's King of Dreams
- Decide
- My Time
- Vampirer
- Old Friend
Side B:
- Great Life
- December 28th
- Easy Water
- Thankful
- My Room
Reviews:
“What do an indie rock quartet and a professional wrestler have in common? No, this isn’t the beginning of a groaner, but rather a genuine inquiry about what inspired Brooklyn band Caveman to reference WWE Hall of Famer Koko B. Ware with the title of their full-length debut, Coco Beware. No immediate connections emerge upon listening, but the moods and textures of the record prove every bit as colorful as the pugilist namesake’s costumes and novelty parrot. Combining the sparkling majesty of later-era Animal Collective and the lush experimentation of TV on the Radio with the warm yearning of the Shins, Caveman cover an ambitious territory in the album's ten-track, 36-minute run, balancing potentially conflicting elements like four-part harmonies, tribal drums, trickling keyboard, hazy guitars, and a lyrical focus on friendship and growth. Opener “A Country’s King of Dreams” deftly illustrates this, as the earthy, tactile percussion rhythm and bare-bones bass lay the foundation for atmospheric keyboard, rousing vocals, and African highlife-inspired guitar arpeggios, culminating in a drum circle-lullaby hybrid. Tracks like “Old Friend” are a bit more straight-ahead by comparison, offering happily lazy, sun-dappled neo-psych in the vein of MGMT and Portugal. The Man. Summer fades into fall with the moody, Talking Heads-meets mantra mashup “Thankful,” enveloping the mysterious refrain “Thankful all my friends with remorse” in shimmering guitar and propulsive conga drumming. In the end, the connection between the album’s title and its contents remains a question mark, but it’s befitting of this surprising, deeply inspired debut.” AllMusic Review by Chrysta Cherrie
Ratings :
AllMusic : 3,5 / 5 , Discogs : 4,53 / 5