Respighi - Pines Of Rome & Fountains Of Rome – Renier (1LP, 33 tours, 180g)
Prix habituel
€59,00
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Ottorino Respighi - Pines Of Rome (four-movement symphonic poem for orchestra) & Fountains Of Rome (symphonic poem)
Chicago Symphony Orchestra
Fritz Reiner, conductor
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions
Original Label : RCA Victor Red Seal Living stereo
Engineered by Lewis Layton
Produced by Richard Mohr
Remastered by Ryan Smith at Sterling Sound
Originally released in 1960
Reissued in 2013
Tracks :
Side A:
- Pines Of Villa Borghese
- Pines Near Catacomb
- Pines Of Janiculum
- Pines Of Appian Way
Side B:
- Fountain Of Valle Giulia At Dawn
- Triton Fountain At Morn
- Fountain Of Trevi At Mid-day
- Villa Medici Fountain At Sunset
Awards;
Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.
TAS Super LP List! Special Merit: Classical
Reviews :
"Grade A. The exceedingly rare 1s/1s pressing of this disc has been celebrated and sought after ever since Carol B. Kessler wrote her famous article in TAS on the best RCAs (she ranked the 1s/1s Pines the #3 RCA of all-time). If you don't have a 1s/1s pressing, you will doubtlessly find this remastering sensational. Since I do have a 1s/1s, I'd have to say that there are aspects of the 1s/1s that are marginally superior to the Analogue Productions reissue — and vice versa. Though beautiful, string tone doesn't seem quite as silken on the Kassem reissue as it does on the RCA original; on the other hand, the staggeringly powerful bass on "The Pines of the Appian Way" (replete with gong and organ) retains all of its thunder and then some on the Analogue Productions re-pressing with, once again, a fair measure of tape-like ease and authority. (As with The Reiner Sound, the base is a little murky in spots, probably the results of mic preamp overload. In any event that occasional murkiness is also present on the 1s/1s and the Classic reissue.)" — Jonathan Valin, The Absolute Sound.com, June 11, 2013.
Ratings:
Discogs : 5 / 5