Genesis - Selling England By The Pound (SACD)

Genesis - Selling England By The Pound (Hybrid SACD)

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[click here  to see more vinyl by Genesis]

Phil Collins – drums, assorted percussion, lead vocals (B2), backing vocals [click here to see more vinyl featuring Phil Collins]

Peter Gabriel – vocals, flute, oboe, percussion [click here to see more vinyl featuring Peter Gabriel]

Tony Banks – Hammond organ, Mellotron, Hohner Pianet, ARP Pro Soloist, piano, 12-string guitar

Steve Hackett – electric guitar, nylon guitar

Mike Rutherford – 12-string guitar, bass, electric sitar, cello

Written by Phil Collins (1, 4, 5, 7), Peter Gabriel (1, 2, 5, 8), Tony Banks (1, 2, 3, 5, 7), Steve Hackett (1, 2, 5, 6), Mike Rutherford (1, 3, 4, 5, 6, 7)



 

 

Hybrid SACD

Original analog Master tape : YES

Stereo

Studio

Label : Analogue Productions (Atlantic 75 Series)

Original Label :  Atlantic

Recorded in August 1973 at Island Studio, London

Engineered by John Burns

Produced by John Burns, Genesis

Mastered by Bernie Grundman

Cover painting by Betty Swanwick

Originally released in September 1973

Reissued in November 2023

 

Tracks :

  1. Dancing With The Moonlit Knight
  2. I Know What I Like (In Your Wardrobe)
  3. Firth Of Fifth
  4. More Fool Me
  5. The Battle Of Epping Forest
  6. After The Ordeal
  7. The Cinema Show
  8. Aisle Of Plenty

       

      Reviews :

      “Genesis proved that they could rock on Foxtrot but on its follow-up Selling England by the Pound they didn't follow this route, they returned to the English eccentricity of their first records, which wasn't so much a retreat as a consolidation of powers. For even if this eight-track album has no one song that hits as hard as "Watcher of the Skies," Genesis hasn't sacrificed the newfound immediacy of Foxtrot: they've married it to their eccentricity, finding ways to infuse it into the delicate whimsy that's been their calling card since the beginning. This, combined with many overt literary allusions -- the Tolkeinisms of the title of "The Battle of Epping Forest" only being the most apparent -- gives this album a storybook quality. It plays as a collection of short stories, fables, and fairy tales, and it is also a rock record, which naturally makes it quite extraordinary as a collection, but also as a set of individual songs. Genesis has never been as direct as they've been on the fanciful yet hook-driven "I Know What I Like (In Your Wardrobe)" -- apart from the fluttering flutes in the fade-out, it could easily be mistaken for a glam single -- or as achingly fragile as on "More Fool Me," sung by Phil Collins. It's this delicate balance and how the album showcases the band's narrative force on a small scale as well as large that makes this their arguable high-water mark.” AllMusic Review by Stephen Thomas Erlewine

       

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