Hank Mobley - Roll Call

Hank Mobley - Roll Call

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Tenor Saxophone – Hank Mobley [click here to see more vinyl featuring Hank Mobley]

Trumpet – Freddie Hubbard [click here to see more vinyl featuring Freddie Hubbard]

Bass – Paul Chambers [click here to see more vinyl featuring Paul Chambers]

Drums – Art Blakey [click here to see more vinyl featuring Art Blakey]

Piano – Wynton Kelly [click here to see more vinyl featuring Wynton Kelly]

Written by Hank Mobley (all tracks except B2), Harry Warren (B2), Mack Gordon (B2)





 

1 LP, standard sleeve

Original analog Master tape : YES 

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Optimal in Germany

Label : Blue Note Classic vinyl series

Original Label : Blue Note 

Recorded on November 13, 1960 at Van Gelder Studio, Englewood Cliffs, New Jersey

Recorded by Rudy Van Gelder

Produced by Alfred Lion

Mastered by Kevin Gray at Cohearent Audio

Cover design by Reid Miles

Liner Notes by Robert Levin

Photography by Francis Wolff

Originally Released in June1961

Reissued in 2025

 

 

 

Tracks :

    Side A:

    1. Roll Call
    2. My Groove Your Move
    3. Take Your Pick

    Side B:

    1. A Baptist Beat
    2. The More I See You
    3. The Breakdown



     

     

    Review :

    “From the first moment when Art Blakey comes crashing in to establish a kinetic Latin groove on the eponymous opening song, Hank Mobley's Roll Call explodes with energy. The first horn heard here is actually Freddie Hubbard's trumpet, foreshadowing the prominent role that he would have in the sound of this album. The quintet all work together flawlessly here, but Hubbard particularly shines as he plays off of Mobley's fluid riffs and carries more than a few lines himself, sounding particularly athletic and effortless on the closing track, "The Breakdown." Mobley's performance throughout the recording is stylish without being restrained, and the strength of his songwriting shines on five of the album's six songs. A warm, laid-back, sweet version of "The More I See You" is also included, with a muted Hubbard sounding very much like Miles Davis. It is a nice complement to this collection of originals, which has often been overshadowed by Mobley's other late-'50s and early-'60s work but is definitely deserving of some attention of its own.” AllMusic Review by Stacia Proefrock


     

    Rating:

    AllMusic : 4.64 / 5 ; Discogs 4.56 / 5

     

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