The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE
The Red Garland Trio – Groovy AUDIOPHILE

The Red Garland Trio – Groovy (Mono)

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Piano – Red Garland [click here to see more vinyl featuring Red Garland]

Bass – Paul Chambers [click here to see more vinyl featuring Paul Chambers]

Drums – Art Taylor [Click here to see more vinyl featuring Art Taylor]

Written by Barney Bigard (A1), Duke Ellington (A1), Curtis Lewis (A2), Curley Hamner (A2), Gladys Hampton (A2), Matt Dennis (A3), Tom Ada (A3), Ann Ronell (B1), Walter Donaldson (B2), Abe Lyman (B2), Red Garland (B3)

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Mono

Studio

Record Press : Record Technology Incorporated

Label :  Craft Recordings - Original Jazz Classics

Original Label : Prestige

Recorded in New York City on December 14, 1956 (B1-2), May 24, 1957 (B3), August 9, 1957 (A1-3)

Recorded by Rudy Van Gelder

Produced by Bob Weinstock

Mastered by Matthew Lutthans at Cohearent Audio

Lacquers cut by Kevin Gray at Cohearent Audio

Liner Notes by Ira Gitler

Sleeve Notes by Ralph J. Gleason

Originally released in 1957

Reissued in April 2024


Tracks:

Side A:

  1. C-Jam Blues
  2. Gone Again
  3. Will You Still Be Mine?

Side B:

  1. Willow Weep for Me
  2. What Can I Say Dear?
  3. Hey Now
 



Reviews:

“Red Garland's third recording as a leader has him playing very well, somewhat energetic and more inclusive in his direction to span the mainstream jazz palate beyond the cool exterior he emanates. The title might be a bit deceptive, for this is not a project where soul-jazz or early boogaloo influences turned jazzmen into groovemeisters -- it's a swinging groove. With bassist Paul Chambers and drummer Art Taylor, Garland has all the support he needs to wing it in a variety of directions. Recorded in that most legendary year of jazz, 1957, Garland is coming into his own in a more confident way, buoyed by his association at the time with Miles Davis. Chambers is flawless in his support role, and on this recording deserves a close listen, especially for students of the acoustic upright. They immediately dig in on the opener "C Jam Blues," with Garland at his heartiest during his bridge solo, they agree in the affirmative during the entirety of the hard bop take of "Will You Still Be Mine?," and repeat but modify the melody à la "Cool Blues" in an adept display of artistry for "Hey Now." Of course Garland has to play a ballad or two, as on "Willow Weep for Me," luscious with chord sequences, and really reflects the influence of Erroll Garner in that chiming, two-handed sustenato style for Garner's "Gone Again." It is said that by the third recording, most musicians should have their style down pat and begin attempting to take the music to a higher level. You really hear that in this recording, which was a springboard to making Red Garland one of the most revered and respected jazz pianists of the modern era.” AllMusic Review by Michael G. Nastos



Ratings :

AllMusic : 4.5 / 5 ; Discogs : 4.68 / 5 

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