Dick Schory's New Percussion Ensemble - Music For Bang, Baaroom, And Harp (200g)
Prix habituel
€59,00
NOUS NE POUVONS PAS NOUS ENGAGER SUR UNE DATE DE LIVRAISON POUR LES VINYLES & CD/SACD EN PRE-COMMANDE
Les Labels prennent parfois plusieurs mois pour livrer les vinlyes & CD/SACD en pré-commande
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
Conductor – Dick Schory
Bass [String] – Harold Siegel, John Frigo
Guitar – John Gray (A2)
Guitar, Banjo – Earl Backus
Harp – Carol Baum, Russell Crandall
Percussion – Bob Wessberg, Bobby Christian, Dale Anderson (A2), Edward Metzenger, Frank Rullo, Hubert Anderson, Jim Ross (A5), Tom Davis
Piano – Willis Charkovsky
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 200g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions
Original Label : RCA
Recorded at Orchestra Hall, Chicago
Produced by Bob Bollard
Remastered by Ryan Smith at Sterling Sound
Originally released in 1958
Reissued in 2016
Tracks :
Side A :
1. National Emblem March
2. Baia
3. Way Down Yonder In New Orleans
4. Ding Dong Polka
5. April In Paris
6. Holiday In A Hurry
2. Baia
3. Way Down Yonder In New Orleans
4. Ding Dong Polka
5. April In Paris
6. Holiday In A Hurry
Side B :
1 Buck Dance
2. Duel On The Skins
3. September In The Rain
4. Tiddley Winks
5. The Sheik Of Araby
6. Typee
2. Duel On The Skins
3. September In The Rain
4. Tiddley Winks
5. The Sheik Of Araby
6. Typee
Awards :
TAS Super LP List! Best Of The Bunch: Popular
Reviews :
"I'm not exaggerating about the sound quality: It's amazing nor am I overstating the 'pure novelty' aspect of the arrangements. This is not 'serious' music but it is serious fun and so 1950's kitschy that as time passes it becomes more treasured as a 'moment in time' never to be repeated. I have original and Classic Records reissues but more recently Analogue Productions has reissued this cut from the three-track original tape by Ryan K. Smith at Sterling Sound. Originals still go for well over a hundred dollars (I snagged one years ago at Record Surplus, Las Vegas for three bucks) so the new reissue, which I'm sure sounds great and is pressed on 200g vinyl at QRP, is reasonably priced." — Michael Fremer, AnalogPlanet.com
"Little did any of us who were involved in the planning and recording of Music for Bang, Baaroom and Harp know, back in 1958, what an impact this album would have on the record industry and how it would effect my career," writes Dick Schory, about the audiophile instrumental classic, the first stereophonic recording in the industry to be classified a "Best Seller."
Now, revel in the enhanced clarity and sonic richness of a 200-gram pressing by Quality Record Pressings, and remastering and lacquer cutting by Ryan Smith at Sterling Sound, giving this classic a fresh, vibrant appeal. The superb remastering from the original 3-track master tapes brings out subtleties of the instruments, arrangements, performance and ambiance of Chicago's Orchestra Hall lacking from the original pressing and subsequent versions.
The concept for this album is simple: Dozens of standard and exotic percussive instruments (re: manifold from a 1946 Chevrolet) were employed in original and standard tunes arranged by Schory, Bobby Christian, Mike Simpson, Willis Charkovsky and Skitch Henderson, who at the time was musical director for NBC's "Tonight Show." Three tracks are of particular note: the quirky "Tiddley Winks" and the exotic "Baia" and "Typee." The jacket, depicting Schory poking out from a pile of instruments, is a classic of LP art.
The recording, utilizing RCA Victor Record's Red Seal Classical Division's equipment — the same used to record the Chicago, Philadelphia and Boston Symphony orchestras at the time — was recorded in Chicago's Orchestra Hall on June 2 and 3, 1958. Two custom Ampex 300-3 half-inch 3-track tape recorders, running at 15 and 30 inches a second, captured the performances by eight percussionists together with other performers from the Chicago Symphony on piano, string bass, guitar, banjo and harp.
Commercial success followed. Not only was the album an audiophile classic, it also became one of the best-selling instrumental albums of the late 1950s and early '60s with Billboard, Record World and Cash Box magazines listing it on their charts for more than two years, and in the "Top 10" best sellers for more than six months. The album kicked off an era of percussion recordings that tried to duplicate the success of Music for Bang, Baaroom and Harp, with limited results.
Analogue Productions and Quality Record Pressings bring you this remastered and improved pressing so that a whole new generation of audiophiles and even casual music lovers can discover for themselves the wizardry, wit and wonder that is Music for Bang, Baaroom and Harp!
Ratings :
AllMusic : 3 / 5 , Discogs : 4.01 / 5