Beyoncé – Renaissance (2LP)
Prix habituel
€65,00
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Vocals - Beyoncé (all tracks) [click here to see more vinyl featuring Beyoncé]
Vocals - Beam (B1, B2, C4), Grace Jones (C3), Tems (C3), Dave Giles (A2), Caleb Curry (B3), Danielle Withers (B3), Jasmine Patton (B3), Jorel Quinn (B3), Kim Johnson (B3), Kristen Lowe (B3)
Background Vocals - The-Dream (A1, C4), Nija Charles (A2), Blu June (A3, D4), Sabrina Claudio (C1), Leven Kali (C2, D5), Annika Gesteedle-Diamant (C2), Ashlee Wingate (C2), Kye Young (C2), Laylani Gesteedle-Diamant (C2), Ari PenSmith (C3), Tatiana "Tatu" Matthews (C4), DIXSON (D4)
Drums - Stuart White (B4, C4, D1, D4), Mike Dean (D2), Al Cres (B2), Skrillex (B2), Jameil Aossey (D2), S1a0 (D2)
Guitar - Nile Rodgers (B1), Derek Renfroe (C1), Calev (C4)
Bass - Raphael Saadiq (B1), Patrick Paige II (C1)
Piano - Daniel Crawford (B1)
Keyboards - Chris Penny (A2, A3)
Synthesizer - The-Dream (A3, B1, C2), Mike Dean (A1–3, D2-3, D5), Nova Wav (B2), Leven Kali (C1), BloodPop (D2)
Horn - Raphael Saadiq (D4)
Saxophone - Scott Mayo (B1), Kenneth Whalum (D4)
Trombone - Lemar Guillary (B1)
Trumpet - Jamella Adisa (B1), Keyon Harrold (D4)
Percussion - Sheila E. (B1)
Strings - Raphael Saadiq (B1), Lee Blaske (D4)
Programming - Beyoncé (A1, D4), The-Dream (B4, D3), Kelman Duran (A1, C4), Stuart White (A1), Mike Dean (D5), Chris Penny (A2–B1), Honey Dijon (A2–B1), Luke Solomon (A2–B1), Cadenza (C4), Hit-Boy (D1), Lil Ju (D1), BAH (D2), BloodPop (D2, D4)
2 LPs, Premium Hard Slipcase Package with:
- 2 Printed Jackets
- 2 Printed Inner Sleeves
- 36-Page Photo Booklet
- 24" x 36" Folded Collectible Poster (1 of 3 Randomized Images)
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : unspecified
Label : Columbia
Original Label : Parkwood Entertainment
Recorded 2020–2022 at Atlanta (Sing, Tree Sound), Los Angeles (Avenue A Studio West, Hardcover, Henson Recording Studios, The Juicy Juicy, Kings Landing West, Nightbird Recording, Parkwood West, Record Plant), New York (Trailer East Hampton), North Hollywood (Blakeslee), Ochi Rios, Jamaica (Zak Starkey), Westport, Connecticut (Le Crib)
Recorded by Stuart White, Brandon Harding (A1-2, B1–3), Chi Coney (A3–B2, C4, D4-5), Andrea Roberts (C4), Hotae Alexander Jang (B1, D4), Russell Graham (B1), Steve Rusch (B1), Chris Mclaughlin (B3), Delroy "Phatta" Pottinger (C3), GuiltyBeatz (C3), Jabbar Stevens (D2)
Engineered by Andrea Roberts & John Cranfield
Mixed by Stuart White
Executive-Producer – Beyoncé
Mastered at Record Technology Incorporated
Lacquer cut by Levi Seitz at Black Belt Mastering
Photography by Carlijn Jacobs, Mason Poole
Artwork & Design by Kelly Shami, Simon Renggli
Originally released in July 2022
Tracks :
Side A:
- I'm that girl
- Cozy
- Alien superstar
Side B:
- Cuff it
- Energy
- Break my soul
- Church girl
Side C:
- Plastic off the sofa
- Virgo's groove
- Move
- Heated
Side D:
- Thique
- All up in your mind
- America has a problem
- Pure / Honey
- Summer renaissance
Awards:
2023 Grammy Award Winner:
- Best Dance/Electronic Recording: "Break My Soul"
- Best Dance/Electronic Music Album: RENAISSANCE
- Best Traditional R&B Performance: "PLASTIC OFF THE SOFA"
- Best R&B Song: "CUFF IT"
Rolling Stone 100 Best Albums of 2022 - Ranked 1/100
Rolling Stone Magazine - 500 Greatest Albums of all times - Ranked 71/500
Pitchfork 50 Best Albums of 2022 - Ranked 1/50
Consequence Top 50 Albums of 2022 - Ranked 3/50
NPR Music Best Albums of 2022 - Ranked 1/50
Paste The 50 Best Albums of 2022 - Ranked 8/50
Reviews:
"Break My Soul" offered much to dissect as the preliminary single off Renaissance, Beyoncé's first solo studio album since Lemonade and part one of a promised three-act project. Integrating a flashback to early-'90s crossover house hit "Show Me Love," the resilience anthem -- reinforced with an echoing gospel choir and sampled Big Freedia exhortations -- came across like a nostalgic dance remix preceding the original version. Instead, it slid neatly into place on the parent LP not only as an accurate representation but also as a foreshock to an hour-long housequake filled with irrepressible exuberance in celebration of self and sisterhood. Among those to whom Beyoncé dedicates Renaissance is her late gay cousin and godmother, Uncle Jonny, credited for introducing her "to a lot of the music and culture that serve as inspiration for this album." The multitude of dancefloor sounds cultivated and celebrated since the late '60s in underground clubs by liberation-seeking gay, Black, and Latino dancers has been a natural ingredient in Beyoncé's recordings since the birth of Destiny's Child (take the use of the Love Unlimited Orchestra's proto-disco exemplar "Strange Games & Things" in "No, No, No, Pt. 2"), but it is the basis of Renaissance. The LP is top-to-bottom danceable and sequenced with each track setting up the next, through the ecstatic finale, where Beyoncé most potently mixes sensuality and aggression, claiming her man with nods to Donna Summer, Giorgio Moroder, Patrick Cowley, and Larry Heard. "Cuff It" is a disco-funk burner with Nile Rodgers' inimitable rhythm guitar and a slick quote from Teena Marie's biggest ballad, though it has all the vigor of Lady T's uptempo classics. The more relaxed "Virgo's Groove" is designed for circling the rink with its delectably plump bassline and handclaps, and moves to a private room where Beyoncé commands, in one of the set's many memorable turns of phrase, "Motorboat, baby, spin around." Renaissance pulls from the more recent and present sonic developments with equal guile. Dancehall-derived dembow is stretched out for the strutting opener "I'm That Girl." "Heated" works a chugging Afrobeats rhythm, and is keenly trailed by the swollen dubstep pulsations of "Thique." The most exciting moments fearlessly blend and switch eras. "Pure/Honey" alternates between a duly vulgar ballroom brush-off and pop-funk rapture, and "Church Girl," a rousing gospel-bounce marvel, weaves the Clark Sisters with the decidedly less-reverent DJ Jimi and the Showboys. Beyoncé is vocally up to the challenge of juggling the almost-innumerable quantity of styles and references, sighing, purring, beaming, belting, and spitting fire with all the required conviction and attitude. Her congregation of fellow writers, producers, and vocalists is a formidable assembly of close collaborators (the-Dream, Tricky Stewart, Mike Dean, NOVA Wav), younger trailblazers (Honey Dijon, Kelman Duran, Tems), and legends (Grace Jones, Raphael Saadiq). Act II will presumably have at least one ballad. They're not missed here.” AllMusic Review by Andy Kellman
Rating:
AllMusic 4.5 / 5 ; Discogs 4.54 / 5