New York Trio – Begin The Beguine (Japanese edition) - AudioSoundMusic
New York Trio – Begin The Beguine (Japanese edition) - AudioSoundMusic
New York Trio – Begin The Beguine (Japanese edition) - AudioSoundMusic
New York Trio – Begin The Beguine (Japanese edition) - AudioSoundMusic
New York Trio – Begin The Beguine (Japanese edition) - AudioSoundMusic
New York Trio – Begin The Beguine (Japanese edition) - AudioSoundMusic

New York Trio – Begin The Beguine (Japanese edition)

€69,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Piano – Bill Charlap [click here to see more vinyl featuring Bill Charlap]

Bass – Jay Leonhart

Drums – Bill Stewart

Written by Cole Porter



1 LP, standard sleeve

Limited edition

Original Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press :  Japanese Pressing

Label : Venus Hyper Magnum Sound LP Collection

Original Label :  Venus

Recorded at The Studio, New York on August 23 & 24, 2005

Engineered by Katherine Miller

Mixed and mastered by Shuji Kitamura, Tetsuo Hara

Produced by Tetsuo Hara, Todd Barkan

Design by Taz

Photography by John Abbott, Frank Horvat

Originally released in 2006

Reissued in June 2023

 

Tracks :

Side A:

  1. You'd Be So Nice To Come Home To
  2. My Heart Belongs To Daddy
  3. Easy To Love

Side B:

  1. So In Love
  2. I Love Paris
  3. Begin The Beguine


    Reviews:

    “The New York Trio consists of pianist Bill Charlap, bassist Jay Leonhart, and drummer Bill Stewart, though it exists solely as a studio band for the Japanese label Venus, as Charlap's regular trio includes Peter Washington and Kenny Washington. Even though this band only meets occasionally in the studio to record yet another release in their prolific series for the Japanese jazz market, there is plenty of chemistry between the three veterans, while the nine songs from the vast Cole Porter songbook were likely to have been a part of each musician's repertoire long before these 2005 sessions. Charlap's lyrical piano style is quite effective, capturing the nuances of Porter's humor (even though none of his lyrics are heard), while the rhythm section gels nicely with the pianist. Highlights include a jaunty "My Heart Belongs to Daddy," a dreamy "Begin the Beguine," and a snappy "From This Moment On."” AllMusic Review by Ken Dryden



    Ratings:

    Discogs : 4.33

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